1 00:00:34,240 --> 00:00:37,800 MUSIC: Theme from New York, New York by John Kander 2 00:02:09,640 --> 00:02:12,680 CHATTER AND CHEERING 3 00:02:12,680 --> 00:02:15,440 MAN: God bless America! We made it back! 4 00:02:22,960 --> 00:02:27,600 BIG BAND MUSIC PLAYS 5 00:02:35,120 --> 00:02:38,760 ANNOUNCER: Times Square, believe me, is wall-to-wall people. 6 00:02:38,760 --> 00:02:41,560 Human beings, bent on having the greatest party ever 7 00:02:41,560 --> 00:02:44,400 and being in on a bit of this history. 8 00:02:44,400 --> 00:02:46,600 What a night this is! What a thrill! 9 00:02:46,600 --> 00:02:50,400 Our boys are coming home, and a lot of them are here right now, 10 00:02:50,400 --> 00:02:52,240 right in the middle of this chaos. 11 00:02:52,240 --> 00:02:55,280 I talked with boys from Arkansas; Colorado; 12 00:02:55,280 --> 00:02:56,920 Seattle, Washington; 13 00:02:56,920 --> 00:02:59,640 Los Angeles; Aberdeen, Washington. 14 00:02:59,640 --> 00:03:03,520 Looking around Times Square, people are deliriously happy. 15 00:03:03,520 --> 00:03:07,360 They're holding up newspapers with huge eight-ten-inch headlines. 16 00:03:07,360 --> 00:03:11,120 "VJ Day," it says. "War's end. It's over." 17 00:03:11,120 --> 00:03:14,960 They're hugging and kissing each other, shouting words and cheering, 18 00:03:14,960 --> 00:03:16,480 and still paper by the ton 19 00:03:16,480 --> 00:03:19,520 keeps flowing out of the windows high, high above them. 20 00:03:22,720 --> 00:03:25,520 BAND: Pennsylvania 6-5,000! 21 00:03:25,520 --> 00:03:27,240 The USO shows too. 22 00:03:27,240 --> 00:03:29,640 Our hats are off to all those in show business 23 00:03:29,640 --> 00:03:32,040 who travelled the world, entertaining our men and women 24 00:03:32,040 --> 00:03:33,600 overseas and here at home. 25 00:03:36,880 --> 00:03:39,320 Times Square is happy, New York is happy, 26 00:03:39,320 --> 00:03:40,960 the United States is happy, 27 00:03:40,960 --> 00:03:43,200 and the world is at peace. 28 00:03:43,200 --> 00:03:46,120 BIG BAND DOWN-TEMPO MUSIC PLAYS 29 00:04:02,960 --> 00:04:06,920 UP-TEMPO MUSIC KICKS IN AUDIENCE CHEERS 30 00:04:54,000 --> 00:04:57,000 Tommy, I know all America wants to thank you and your 31 00:04:57,000 --> 00:04:59,920 wonderful organisation for all the great war-bond drives that 32 00:04:59,920 --> 00:05:02,120 you put on and for giving up your time and talent for 33 00:05:02,120 --> 00:05:05,120 that wonderful radio show, the Treasury Star Parade. 34 00:05:05,120 --> 00:05:08,400 TOMMY: Thank you. It's been a pleasure doing our musical bit... 35 00:05:08,400 --> 00:05:10,160 Well, we all loved it. 36 00:05:27,440 --> 00:05:29,000 Swinging band, huh? Yeah. 37 00:05:29,000 --> 00:05:32,160 Swinging band, man. Really jumps. 38 00:05:32,160 --> 00:05:34,160 You here by yourself? 39 00:05:34,160 --> 00:05:36,120 No. Aw! Who are you here with? 40 00:05:36,120 --> 00:05:39,240 My boyfriend. Oh! 41 00:05:39,240 --> 00:05:41,400 Listen, I want to get in touch with you anyway, you know? 42 00:05:53,280 --> 00:05:55,160 Hey. Just let me take a minute of your time. 43 00:05:55,160 --> 00:05:56,400 I know you from someplace. 44 00:05:56,400 --> 00:05:58,640 We met a few years ago at a party or a dance, I can't remember. 45 00:05:58,640 --> 00:06:00,760 We had a long conversation. We really liked each other. 46 00:06:00,760 --> 00:06:02,640 The problem is I want to see you again. 47 00:06:02,640 --> 00:06:04,800 My mother and father are down there, my brother and sister... 48 00:06:31,320 --> 00:06:34,360 MAN: Jimmy! Jimmy! Hey! Jimmy! 49 00:06:37,920 --> 00:06:39,320 Catch you later, right? 50 00:06:55,120 --> 00:06:57,280 Hey, where have you been? 51 00:06:57,280 --> 00:06:59,240 Where's your uniform? 52 00:06:59,240 --> 00:07:02,040 Threw it out the goddamn window! Hey! Look at those! 53 00:07:02,040 --> 00:07:04,560 Did you jump some Hawaiian or what? 54 00:07:04,560 --> 00:07:07,080 Jumped some Hawaiian, man? I won these in a card game. 55 00:07:07,080 --> 00:07:08,400 This guy had three deuces. 56 00:07:08,400 --> 00:07:10,960 Little did the sucker know that I had three threes. 57 00:07:10,960 --> 00:07:15,120 Oh! Three threes? Three threes? Yes! Three threes? Three threes! 58 00:07:15,120 --> 00:07:16,720 Card game, huh? Card game. 59 00:07:16,720 --> 00:07:19,120 Jackpot! Oh! Jackpot! Jackpot! 60 00:07:21,360 --> 00:07:23,560 Hey! Glad to have you back, boys! Glad to have you back! 61 00:07:57,720 --> 00:08:00,280 I know you from someplace. No. 62 00:08:00,280 --> 00:08:02,480 You don't remember me? No. 63 00:08:02,480 --> 00:08:04,120 You don't remember, we met a few years ago? 64 00:08:04,120 --> 00:08:06,640 Was at a party or a dance. We had a long conversation. 65 00:08:06,640 --> 00:08:08,800 You can't remember that? No. 66 00:08:08,800 --> 00:08:11,720 I just want to explain, first of all, my parents are over there, 67 00:08:11,720 --> 00:08:13,480 my mother and father, my brother and sister, 68 00:08:13,480 --> 00:08:15,680 so I've got to see them because I just was in two years in 69 00:08:15,680 --> 00:08:17,560 the service, so they haven't seen me. 70 00:08:17,560 --> 00:08:19,920 I want to get your phone number so I can tell you tomorrow 71 00:08:19,920 --> 00:08:22,320 about what I was thinking about - something very, very important 72 00:08:22,320 --> 00:08:24,080 I have to talk to you about. No. No what? 73 00:08:25,720 --> 00:08:26,840 No what? No. 74 00:08:26,840 --> 00:08:29,680 No? No. No, no, no, you don't understand. No, no. 75 00:08:29,680 --> 00:08:32,720 Give me your number. You got a pencil or something? No. 76 00:08:32,720 --> 00:08:34,360 All right, I have a photographic memory. 77 00:08:34,360 --> 00:08:35,920 Just give me your number and I'll remember it. 78 00:08:35,920 --> 00:08:37,200 No. Yes. No. Yes! 79 00:08:37,200 --> 00:08:38,600 No! Yes. 80 00:08:38,600 --> 00:08:41,360 No. Can I meet you at Central Park? 81 00:08:41,360 --> 00:08:44,120 I'm serious. I know. No. 82 00:08:47,640 --> 00:08:49,840 I mean, come on, there's no way...? No! 83 00:08:52,400 --> 00:08:54,160 That seat's taken. I know, 84 00:08:54,160 --> 00:08:56,360 but I'm figuring out another angle. 85 00:08:56,360 --> 00:08:59,000 You can skip it. I've heard every angle here tonight. 86 00:08:59,000 --> 00:09:01,360 Yeah? Oh, yeah. 87 00:09:01,360 --> 00:09:03,440 How about this one? See, that's a swinging... 88 00:09:03,440 --> 00:09:04,720 Swinging band. ..band. 89 00:09:06,160 --> 00:09:07,840 Look, I don't mean to be rude, 90 00:09:07,840 --> 00:09:11,120 really, I don't, but I do have friends and they are coming back. 91 00:09:11,120 --> 00:09:12,440 So why don't you just leave? 92 00:09:12,440 --> 00:09:15,280 Why don't I leave as soon as they come back? Why not now? 93 00:09:15,280 --> 00:09:17,520 Then I'll never get to know you, 94 00:09:17,520 --> 00:09:20,600 what a wonderful, beautiful chick you are. 95 00:09:20,600 --> 00:09:22,920 I'm serious. Even though I'm giving you a line, 96 00:09:22,920 --> 00:09:25,480 I'm serious. I know you know that. I know that. 97 00:09:25,480 --> 00:09:28,560 I mean that from the deepest part of my heart, which is not too deep. 98 00:09:33,800 --> 00:09:37,080 Why don't you just go someplace else and try it again, huh? 99 00:09:37,080 --> 00:09:38,360 All right, I'll... 100 00:09:50,280 --> 00:09:52,280 Pardon me. 101 00:09:52,280 --> 00:09:55,080 Was that fellow in the Hawaiian shirt and the white pants 102 00:09:55,080 --> 00:09:57,760 disturbing you? I know him. I see him around. He's crazy. 103 00:09:57,760 --> 00:09:59,480 He's not crazy, just pushy. 104 00:09:59,480 --> 00:10:01,720 You know what he said about you over there? 105 00:10:01,720 --> 00:10:03,720 What? Nothing. 106 00:10:09,160 --> 00:10:10,600 Stop it! 107 00:10:19,080 --> 00:10:22,160 Look... All right, all right. Enough! 108 00:10:24,400 --> 00:10:26,640 Look, I'm going to get serious. 109 00:10:26,640 --> 00:10:28,480 When I walked int here and I saw you, 110 00:10:28,480 --> 00:10:30,640 I realised I fought this war for a reason. 111 00:10:30,640 --> 00:10:34,320 When I was in my foxhole, not knowing whether I'd live or die, 112 00:10:34,320 --> 00:10:38,120 in the mud and dirty, I didn't know anything. 113 00:10:40,560 --> 00:10:42,880 All right? I'll take only a minute of your time. 114 00:10:44,640 --> 00:10:46,480 Now, when I walked in there, I knew. 115 00:10:46,480 --> 00:10:49,200 I knew. You knew what? 116 00:10:49,200 --> 00:10:51,600 I knew that I wouldn't get anywhere at this table. 117 00:10:51,600 --> 00:10:53,560 NOW I'm impressed. 118 00:10:59,480 --> 00:11:02,320 Well, I guess a little small talk is in order here now. 119 00:11:02,320 --> 00:11:04,600 Can it get any smaller? 120 00:11:04,600 --> 00:11:06,400 Hey, now, look, I can take a hint. 121 00:11:06,400 --> 00:11:07,920 Can you also take a walk? 122 00:11:07,920 --> 00:11:10,000 You want me to leave? Yes! 123 00:11:10,000 --> 00:11:11,600 I'll leave right now. Bye! 124 00:11:11,600 --> 00:11:14,320 You expect me to leave after the way you talked to me just now? 125 00:11:14,320 --> 00:11:15,960 Will you go away? 126 00:11:15,960 --> 00:11:17,480 I don't want to. 127 00:11:19,600 --> 00:11:21,400 I want to stay here and annoy you. 128 00:11:24,720 --> 00:11:26,040 Go away! 129 00:11:27,840 --> 00:11:31,040 Look, let's avoid all this, huh? Let's get down to business. 130 00:11:31,040 --> 00:11:32,920 It's getting a little tiring here. 131 00:11:32,920 --> 00:11:36,000 Give me your phone number and we'll avoid this. 132 00:11:36,000 --> 00:11:38,400 Why don't I NOT give you my phone number and we'll avoid all this? 133 00:11:38,400 --> 00:11:41,200 What's to be avoided? You. That cannot be avoided. 134 00:11:41,200 --> 00:11:44,600 If you had one ounce of a gentleman in you, you'd go away. 135 00:11:44,600 --> 00:11:46,520 Well, I'm not a gentleman. 136 00:11:46,520 --> 00:11:48,360 Oh. That explains everything. Who said I was a gentleman? 137 00:11:48,360 --> 00:11:51,160 Do I look like a gentleman, in this shirt and these pants, to you? 138 00:11:52,480 --> 00:11:54,040 Well... 139 00:11:55,920 --> 00:11:57,640 Even a louse would go away. 140 00:11:57,640 --> 00:11:59,760 Why can't you just give me the phone number? 141 00:11:59,760 --> 00:12:01,720 What am I going to do with it? Call it. 142 00:12:07,840 --> 00:12:09,120 Please. 143 00:12:12,240 --> 00:12:14,680 Look, I give up. I give up. 144 00:12:14,680 --> 00:12:16,120 I'll take a raincheck. 145 00:12:17,560 --> 00:12:19,160 Maybe next war. 146 00:12:19,160 --> 00:12:21,520 What makes you think you'll win the next one? 147 00:12:21,520 --> 00:12:24,000 MAN: Hey, Evans! Friend of yours is calling you. 148 00:12:24,000 --> 00:12:27,480 Remember me? Paul's friend. 149 00:12:27,480 --> 00:12:29,000 Oh. 150 00:12:29,000 --> 00:12:30,480 Troy, right? Arnold. 151 00:12:30,480 --> 00:12:32,400 Arnold! Oh, Arnold, I'm sorry. 152 00:12:32,400 --> 00:12:33,960 Arnold, I'm sorry... 153 00:12:33,960 --> 00:12:35,960 Ray Bolger's show, USO. 154 00:12:39,400 --> 00:12:41,480 Hey, Evans, you should have come with us to London. 155 00:12:41,480 --> 00:12:44,120 We had a great time. Great hijinks. 156 00:12:44,120 --> 00:12:46,960 You're beautiful. Thank you. How's Paul? 157 00:12:46,960 --> 00:12:48,680 He's here. I just saw him a second ago. 158 00:12:48,680 --> 00:12:51,480 He's here? Yeah. 159 00:12:51,480 --> 00:12:53,680 Where? Paul! 160 00:12:53,680 --> 00:12:56,760 Hey, Paul, look who's here! Francine! 161 00:13:02,760 --> 00:13:04,960 Hi, Paul! Remember me? 162 00:13:06,560 --> 00:13:09,360 MOUTHING: I'll call you tomorrow, right? 163 00:13:17,280 --> 00:13:19,040 Keep on plugging, Francine. 164 00:13:19,040 --> 00:13:21,360 Don't ever change. You're beautiful! 165 00:13:21,360 --> 00:13:23,920 Don't ever change, Francine. You're beautiful. 166 00:13:51,760 --> 00:13:54,520 THEY CONTINUE PLAYING LIVELY DANCE TUNE 167 00:14:26,720 --> 00:14:29,920 Francine, I want you to meet my new monkey. This is Eddie Di Maggio. 168 00:14:29,920 --> 00:14:32,600 Di Muzio. Only you don't look like a Di Muzio. 169 00:14:32,600 --> 00:14:35,400 I said it's funny, you don't look like... 170 00:14:35,400 --> 00:14:37,520 Oh, but he's a terrific dancer. 171 00:14:37,520 --> 00:14:39,920 He dips and everything, don't you, honey? 172 00:14:40,960 --> 00:14:42,240 Have fun, Francine. 173 00:15:16,640 --> 00:15:18,600 DRUM SOLO 174 00:15:34,120 --> 00:15:36,080 CROWD CHEERS 175 00:15:37,360 --> 00:15:39,280 TOMMY: Thank you! 176 00:15:39,280 --> 00:15:41,640 ANNOUNCER: Tommy Dorsey and the orchestra, ladies and gentlemen. 177 00:15:41,640 --> 00:15:46,520 Right after we pause, we're going to switch you to ballroom... 178 00:15:48,080 --> 00:15:49,920 Where have you been? I've been looking all over. 179 00:15:49,920 --> 00:15:51,760 I've been looking all over for you. We're over there. 180 00:15:51,760 --> 00:15:53,360 The guys are waiting for you. 181 00:15:56,400 --> 00:15:58,480 Where are the broads? Over there. 182 00:15:58,480 --> 00:15:59,520 Wait, I've got to ask you a favour. 183 00:15:59,520 --> 00:16:01,200 Are you using your room tonight or what? 184 00:16:01,200 --> 00:16:02,760 Of course I'm using my room tonight. 185 00:16:02,760 --> 00:16:05,240 You want to use the room? Yeah. I want to see what happens. 186 00:16:05,240 --> 00:16:07,680 I fell in love half an hour ago with this chick over there. 187 00:16:07,680 --> 00:16:09,240 I think she's a professional dancer. 188 00:16:09,240 --> 00:16:11,600 She's got some pair of legs. You know what I mean, don't you? 189 00:16:11,600 --> 00:16:14,200 How long are you going to be? Maybe an hour, maybe two, maybe less. 190 00:16:14,200 --> 00:16:17,360 All right. Use the bathroom. OK! 191 00:16:17,360 --> 00:16:19,000 Why didn't you bring them over to the table? 192 00:16:19,000 --> 00:16:21,240 There's only two. Ah. The other two had to go to work. 193 00:16:21,240 --> 00:16:23,600 One for me, one for you. OK. All right? 194 00:16:26,600 --> 00:16:28,400 Wait. Are these the girls? Yeah, why? 195 00:16:28,400 --> 00:16:30,080 These the broads right here? Yeah. 196 00:16:33,640 --> 00:16:35,760 Which one is yours? I got the blonde. You got the blonde. 197 00:16:35,760 --> 00:16:38,000 That means I have the brunette? Right. 198 00:16:38,000 --> 00:16:40,440 Aw, she's a total pain in the ass, man! You know how much time I 199 00:16:40,440 --> 00:16:42,400 just spent trying to make her? I spent 20 minutes 200 00:16:42,400 --> 00:16:43,760 giving her every routine I knew. 201 00:16:43,760 --> 00:16:46,160 It didn't even work. There was nothing. Nothing! 202 00:16:46,160 --> 00:16:47,600 The one over there? Yeah. 203 00:16:47,600 --> 00:16:49,200 The one over there. That one, the WAAC. 204 00:16:49,200 --> 00:16:51,600 What's the matter with you? Maybe the other one will go. 205 00:16:51,600 --> 00:16:53,880 You know how girls are. One goes, the other doesn't. The same story. 206 00:16:53,880 --> 00:16:56,000 You got the good one, I got the bad one. 207 00:16:56,000 --> 00:16:59,120 I don't understand... I'm excited. It's VJ Day, man. 208 00:16:59,120 --> 00:17:01,120 I want to get laid! What's happening here? 209 00:17:03,440 --> 00:17:06,000 Oh, look at her now! Oh-ho-ho... 210 00:17:06,000 --> 00:17:08,400 Look at that. Look how cocky she is. 211 00:17:11,440 --> 00:17:12,520 You know what I'm going to do? 212 00:17:12,520 --> 00:17:16,160 You go over there and tell her I was wounded in action. 213 00:17:16,160 --> 00:17:17,720 Tell her I was wounded in action, 214 00:17:17,720 --> 00:17:19,240 I just got out of the hospital, 215 00:17:19,240 --> 00:17:21,720 and I'm a little shy and a little nervous. 216 00:17:21,720 --> 00:17:22,880 Tell her I'm sensitive. 217 00:17:22,880 --> 00:17:24,960 Lay it on like I'm a war hero. 218 00:17:24,960 --> 00:17:27,920 War hero. OK. Not too heavy. Indirect. OK? 219 00:17:27,920 --> 00:17:30,080 I'll wait over here and then I'll come over. OK. 220 00:17:30,080 --> 00:17:33,320 Lay it on... Hey, lay it on real well, because I want to get her. 221 00:17:33,320 --> 00:17:37,600 Understand? Leave this to me, OK? All right. Wait, wait! 222 00:17:37,600 --> 00:17:39,440 All right, OK. 223 00:17:39,440 --> 00:17:42,000 Wait, wait. What is it? 224 00:17:42,000 --> 00:17:45,800 Tell me what you're going to do. Leave it up to me. Take it easy. 225 00:17:45,800 --> 00:17:49,360 What else, about the other thing? Sensitive. 226 00:17:49,360 --> 00:17:52,160 Sensitive. Sensitive. Oh, sensitive. 227 00:17:52,160 --> 00:17:53,880 Oh, right. OK. 228 00:17:55,720 --> 00:17:58,640 Wait, wait. What am I doing? What? 229 00:17:58,640 --> 00:18:00,320 What am I doing? For her, I'm doing all this? 230 00:18:00,320 --> 00:18:02,640 No, I'm going with you. Just introduce me. I'll handle it. 231 00:18:05,440 --> 00:18:08,080 Francine Flannery, over here Jimmy Doyle. 232 00:18:08,080 --> 00:18:10,920 Pleased to meet you. Ellen Evans. 233 00:18:10,920 --> 00:18:14,000 Wrong. I'm Francine Evans, this is Ellen Flannery. 234 00:18:14,000 --> 00:18:16,400 Remember her? You've been dancing with her for the past hour. 235 00:18:16,400 --> 00:18:19,280 Come on, let's go. Mm, he's such an animal. 236 00:18:19,280 --> 00:18:21,840 THEY LAUGH 237 00:18:21,840 --> 00:18:24,160 Be careful! I'll be right back. 238 00:18:25,760 --> 00:18:27,000 Mind if I sit down now? 239 00:18:28,200 --> 00:18:31,280 After all, we've been formally introduced now. 240 00:18:31,280 --> 00:18:32,920 We're old friends. 241 00:18:33,880 --> 00:18:35,960 I was just going to say, if you and I had danced and had some fun, 242 00:18:35,960 --> 00:18:37,400 it might have been a nice time. 243 00:18:37,400 --> 00:18:40,000 I just gave my hotel key to my friend there 244 00:18:40,000 --> 00:18:42,080 because he's found someone he's really hooked on. 245 00:18:43,440 --> 00:18:46,400 That's very generous. Yeah, I thought so. 246 00:18:48,040 --> 00:18:50,160 It seems like you give things away easily, huh? 247 00:18:53,080 --> 00:18:54,800 Did you have something in mind? 248 00:18:54,800 --> 00:18:56,960 For what? 249 00:18:56,960 --> 00:18:58,400 For what you just said before. 250 00:18:58,400 --> 00:19:00,080 You said I give things away easily, 251 00:19:00,080 --> 00:19:01,520 and I said, "Did you have something in mind?" 252 00:19:01,520 --> 00:19:04,080 Meaning, would I give anything of myself easily to you? 253 00:19:04,080 --> 00:19:05,720 Which I could do very easily. 254 00:19:05,720 --> 00:19:07,680 He'll only be there for an hour or two. 255 00:19:09,280 --> 00:19:11,400 Got any Juicy Fruit? 256 00:19:11,400 --> 00:19:13,080 Sure, sure. 257 00:19:15,840 --> 00:19:17,240 Bye-bye. 258 00:19:35,280 --> 00:19:36,920 I'll get her. 259 00:19:39,760 --> 00:19:42,560 Eddie, if nothing happened after four hours, 260 00:19:42,560 --> 00:19:44,040 you expect something to happen in the next hour? 261 00:19:44,040 --> 00:19:46,560 I'm going to be there in one hour, man. I won't argue. That's it. Bye. 262 00:20:07,720 --> 00:20:10,160 SUBWAY TRAINS RATTLE 263 00:20:48,600 --> 00:20:50,120 FRANCINE: I'm sure it's Doyle. 264 00:20:50,120 --> 00:20:54,000 CLERK: I'm sorry, there's no Doyle registered here. 265 00:20:54,000 --> 00:20:57,280 A friend of mine is in that room with a friend of his. 266 00:20:57,280 --> 00:20:59,360 Ellen Flannery. 267 00:20:59,360 --> 00:21:02,480 It's quite urgent that I get a hold of her. 268 00:21:02,480 --> 00:21:05,360 Can't you just look one more time? Sure. 269 00:21:06,520 --> 00:21:08,560 She's afraid of heights, I'm worried about her. 270 00:21:08,560 --> 00:21:11,720 If it's on a floor that's too high and she gets dizzy, it might be 271 00:21:11,720 --> 00:21:13,520 awful for your hotel. 272 00:21:13,520 --> 00:21:14,920 Naturally. Naturally. 273 00:21:18,680 --> 00:21:21,320 Excuse me. Just a second. Mr Powell? 274 00:21:22,640 --> 00:21:24,960 That's him. Mr Doyle! Mr Powell! 275 00:21:24,960 --> 00:21:27,040 Mr Doyle! Mr Powell! Which one is he? 276 00:21:27,040 --> 00:21:29,240 Mr Doyle. Jimmy Doyle! 277 00:21:35,040 --> 00:21:38,800 I'd like to talk to you for a second, please. Step right over. 278 00:21:41,040 --> 00:21:43,640 There happen to be a problem? This will only take a minute. Sure. 279 00:21:43,640 --> 00:21:46,960 Where's Ellen? Fancy meeting you here! 280 00:21:46,960 --> 00:21:51,560 Boy, you're a winner. Every time I run into you, you cause me problems. 281 00:21:51,560 --> 00:21:54,560 What are you talking about? You just ruined it for me. 282 00:21:54,560 --> 00:21:57,200 You realise he's calling the manager now? 283 00:21:57,200 --> 00:22:00,360 He's calling the manager, because I'm here under an alias, that's why. 284 00:22:00,360 --> 00:22:02,640 They're upstairs in the room. We're all going to get arrested. 285 00:22:02,640 --> 00:22:04,240 You have to go up there now and warn them. 286 00:22:04,240 --> 00:22:06,360 You'll have to get my suitcase and sax under the bed 287 00:22:06,360 --> 00:22:07,720 because I have an audition now. 288 00:22:07,720 --> 00:22:09,760 I have an audition, and if you mess that up, 289 00:22:09,760 --> 00:22:11,360 I'm going to get even with you. 290 00:22:11,360 --> 00:22:13,560 I don't care how, but I am going to get even with you. 291 00:22:13,560 --> 00:22:16,320 Cos you ruined it. Mr Powell? Get up there right now! 292 00:22:16,320 --> 00:22:18,400 I said, do you mind? I'm having a talk with my sister. 293 00:22:18,400 --> 00:22:20,080 It's a family crisis. Do you mind? 294 00:22:20,080 --> 00:22:22,200 Yes, I do mind. Well, you're going to have to wait a minute, 295 00:22:22,200 --> 00:22:26,880 that's all. Sis... Oh, please, Sis! Now, Mommy's waiting. 296 00:22:26,880 --> 00:22:28,960 When I went home with my leg, she was worried for a few days... 297 00:22:28,960 --> 00:22:31,120 Don't do this. Mr Powell, please. 298 00:22:31,120 --> 00:22:33,320 You've run up quite a bill with us. 299 00:22:33,320 --> 00:22:34,960 You've only been here a week. 300 00:22:34,960 --> 00:22:37,560 Would you mind telling me where you were before that? Where was I? 301 00:22:37,560 --> 00:22:39,920 That's right. Do you mind telling me where YOU were? 302 00:22:39,920 --> 00:22:41,520 Because you know where I was? 303 00:22:41,520 --> 00:22:43,200 I was in Anzio! 304 00:22:41,520 --> 00:22:43,200 ALL GASP 305 00:22:43,200 --> 00:22:44,560 Anzio! 306 00:22:45,680 --> 00:22:48,000 I remember it now! 307 00:22:48,000 --> 00:22:51,280 All right, fine, Mr Powell. Wait, I get carried away. Sorry. 308 00:22:51,280 --> 00:22:53,520 Listen... Five nights at the Commodore, three at the St Regis, 309 00:22:53,520 --> 00:22:55,920 25 minutes at the Plaza, enjoyed room service at each. 310 00:22:55,920 --> 00:22:57,520 In one case, use of the hotel limousine. 311 00:22:57,520 --> 00:22:59,120 Why do you switch hotels so often? 312 00:22:59,120 --> 00:23:01,120 You don't even know what you're talking about. 313 00:23:01,120 --> 00:23:03,000 Fist of all, how could I even sign these checks? 314 00:23:03,000 --> 00:23:05,920 These are your signatures. This is my signature hand, 315 00:23:05,920 --> 00:23:08,480 it doesn't even work. See this? 316 00:23:08,480 --> 00:23:10,800 See that? There's no life in that arm. 317 00:23:10,800 --> 00:23:12,320 I might have it amputated tomorrow, 318 00:23:12,320 --> 00:23:14,080 and you're telling me that I signed these bills? How? 319 00:23:14,080 --> 00:23:16,000 Do I sign with my left hand? I'm right-handed. 320 00:23:16,000 --> 00:23:19,040 How can I sign with my left hand? Look at that signature. Look at it. 321 00:23:19,040 --> 00:23:21,640 Isn't this your sister? She's got to know your signature, sir. 322 00:23:21,640 --> 00:23:24,040 Listen to this, he's telling me I signed this. 323 00:23:24,040 --> 00:23:25,960 Is that my signature? Yes. Look at that. 324 00:23:25,960 --> 00:23:28,120 Come on. That's your sister. She ought to know your signature. 325 00:23:28,120 --> 00:23:30,640 That's not my signature. Yes, it is. It's not... That's his signature. 326 00:23:30,640 --> 00:23:33,600 She's a little crazy. She's wacky. You know, in the WAACs? 327 00:23:33,600 --> 00:23:36,840 Yes. Sister, you've got to go home. 328 00:23:36,840 --> 00:23:39,040 No! 11 West 55th Street. 329 00:23:39,040 --> 00:23:42,000 What? No! I'm not going to do this. Go home, now! 330 00:23:42,000 --> 00:23:44,080 All right! Remember Anzio, on the beach. 331 00:23:44,080 --> 00:23:46,880 No, no. It's this way. 332 00:23:46,880 --> 00:23:48,920 This way. And right away! 333 00:23:48,920 --> 00:23:51,400 And I'll meet you later. Mr Powell... 334 00:23:51,400 --> 00:23:53,480 This is a mistake! This is harassment. 335 00:23:53,480 --> 00:23:55,040 I'm not coming to this hotel. 336 00:23:55,040 --> 00:23:57,320 I'm going to complain to the manager. Where is the manager? 337 00:23:57,320 --> 00:23:58,960 Would you lower your voice, please? 338 00:23:58,960 --> 00:24:01,000 I think you have a lot of nerve. 339 00:24:01,000 --> 00:24:03,960 You see this? When that happens, and you can't explain why? 340 00:24:03,960 --> 00:24:06,680 You want to see my leg. It's all wood. That's terrible. 341 00:24:06,680 --> 00:24:08,840 You can knock it anywhere. You can drive nails through it. 342 00:24:08,840 --> 00:24:11,120 It's the best kind of wood, but still, it's a wooden leg. 343 00:24:11,120 --> 00:24:13,760 You have a cushy job. I lost this leg so you could accuse 344 00:24:13,760 --> 00:24:16,000 me of not paying hotel bills. 345 00:24:16,000 --> 00:24:18,480 I can't believe this! Would you push it off, please? 346 00:24:18,480 --> 00:24:19,720 I can't even control it. 347 00:24:20,960 --> 00:24:24,720 Ellen! Honey, are you all right? TEARFULLY: I'm just great. 348 00:24:24,720 --> 00:24:26,680 You have any last words? She... 349 00:24:26,680 --> 00:24:29,200 Sorry, did I scare you? No, no. 350 00:24:33,960 --> 00:24:36,640 Good luck. Listen, I've had her for three years on two fronts. 351 00:24:36,640 --> 00:24:38,120 She's had every germ known to man. 352 00:24:38,120 --> 00:24:39,840 Hope you're not one of them, Di Maggio. 353 00:24:39,840 --> 00:24:41,800 It's Di Muzio. Is this Jimmy's case? 354 00:24:43,320 --> 00:24:46,320 What's the matter? Can't you take a joke, for crying out lud? 355 00:24:46,320 --> 00:24:48,880 Well, whatever your name is, take good care of her. 356 00:24:48,880 --> 00:24:52,480 What germs are you talking about? Killers. Killers?! 357 00:24:52,480 --> 00:24:54,080 Hey! This cab... 358 00:24:54,080 --> 00:24:56,040 Excuse me, I need... 359 00:24:54,080 --> 00:24:56,040 HORNS AND WHISTLES BLARE 360 00:24:56,040 --> 00:24:57,800 Forgotten but not gone! 361 00:25:01,120 --> 00:25:03,600 242... Hotel Alcott, please. 362 00:25:03,600 --> 00:25:06,920 Wait, just a second. 2842 Flatbush Avenue, Brooklyn, please. 363 00:25:06,920 --> 00:25:09,160 Do you mind if I take this cab? Well, yes, I do. 364 00:25:09,160 --> 00:25:11,120 But do I have a choice? No, you don't have a choice. 365 00:25:11,120 --> 00:25:12,800 I have an audition. Do you have an audition? 366 00:25:12,800 --> 00:25:14,160 I have an audition. 367 00:25:14,160 --> 00:25:16,120 I'm late for the audition. Why don't you come along? 368 00:25:16,120 --> 00:25:17,960 You have nothing better to do, anyway. 369 00:25:17,960 --> 00:25:19,560 How do you know that? I was thinking of doing my nails. 370 00:25:19,560 --> 00:25:21,520 What's it going to be? Brooklyn, or what? 371 00:25:21,520 --> 00:25:24,840 I just said - it's going to be Brooklyn. 2482 Flatbush Avenue. 372 00:25:26,120 --> 00:25:28,480 2842 Flatbush Avenue. 373 00:25:28,480 --> 00:25:29,880 Same thing! 374 00:25:31,440 --> 00:25:33,560 What did you say about your nails? I said I was thinking of doing them. 375 00:25:33,560 --> 00:25:35,280 Well, why don't you do them? 376 00:25:37,440 --> 00:25:39,440 Oh! Why are you so serious? 377 00:25:39,440 --> 00:25:40,960 SHE CHUCKLES 378 00:25:40,960 --> 00:25:43,600 Come on, loosen up. 379 00:25:43,600 --> 00:25:45,800 Come on. You gave me a hard time last night. 380 00:25:45,800 --> 00:25:48,280 Really a hard time. Loosen up a little bit. 381 00:25:49,360 --> 00:25:52,720 Oh, come, come. Let's have some gum. 382 00:25:52,720 --> 00:25:56,080 Best way to keep your mouth shut and keep you occupied. 383 00:25:56,080 --> 00:25:57,680 No, thank you. 384 00:25:59,360 --> 00:26:01,480 You're really enjoying this ride, aren't you? 385 00:26:01,480 --> 00:26:03,480 I'm having a hell of a time. 386 00:26:03,480 --> 00:26:06,000 Well, I'm nervous because of this audition. 387 00:26:06,000 --> 00:26:08,280 It's good to chew. It relaxes me. 388 00:26:10,920 --> 00:26:12,600 God, I'm so nervous about this. 389 00:26:12,600 --> 00:26:14,520 You make it worse, too! 390 00:26:15,840 --> 00:26:17,840 So, what did you say your name was? 391 00:26:17,840 --> 00:26:19,600 I didn't say. 392 00:26:19,600 --> 00:26:21,560 You didn't say? No. 393 00:26:24,080 --> 00:26:26,160 Would you do me a favour? What? 394 00:26:26,160 --> 00:26:28,520 Would you hold something for me? What? 395 00:26:28,520 --> 00:26:33,320 Give me your hand. For good luck. For good luck? 396 00:26:33,320 --> 00:26:37,000 Ooh, that's very funny! 397 00:26:37,000 --> 00:26:39,160 You've got a real sense of humour, kid! 398 00:26:41,640 --> 00:26:43,440 Oh, I can't believe it. 399 00:26:47,000 --> 00:26:49,120 Listen, I want to ask you something. 400 00:26:49,120 --> 00:26:51,680 You want to know what interests me the most, Frances? 401 00:26:53,840 --> 00:26:57,520 One is music, number two is money, 402 00:26:57,520 --> 00:26:59,600 and number three is... 403 00:27:00,760 --> 00:27:02,840 HE SMACKS LIPS, SHE SCOFFS 404 00:27:02,840 --> 00:27:04,120 I got it. 405 00:27:06,960 --> 00:27:09,080 Uh-huh. Uh-huh. Got it. 406 00:27:09,080 --> 00:27:11,040 What's the matter? I don't want it. 407 00:27:12,080 --> 00:27:14,440 Are they always in that order? Sure, they're always in that order, 408 00:27:14,440 --> 00:27:19,160 unless...you happen to come across someone who grooves you 409 00:27:19,160 --> 00:27:21,040 and you want to groove with. 410 00:27:21,040 --> 00:27:23,240 Say, you. 411 00:27:23,240 --> 00:27:27,120 And if things work out and you start acting a little more intelligent, 412 00:27:27,120 --> 00:27:30,840 then possibly I'll make number three number one, 413 00:27:30,840 --> 00:27:32,400 number one number three, 414 00:27:32,400 --> 00:27:34,240 and number two... 415 00:27:35,720 --> 00:27:37,120 No, wait. 416 00:27:37,120 --> 00:27:39,280 Wait, now I'm getting confused. 417 00:27:39,280 --> 00:27:40,920 You put it where... 418 00:27:40,920 --> 00:27:43,640 You put it where number three is. 419 00:27:43,640 --> 00:27:47,800 Then, that's... Wait, let me start all over again. Let me get this... 420 00:27:49,120 --> 00:27:52,280 Number three would be number one... Then number two is number three. 421 00:27:52,280 --> 00:27:54,520 Exactly. And when you have that, 422 00:27:54,520 --> 00:27:57,120 you have what you call a major chord. 423 00:27:58,120 --> 00:27:59,560 What's a major chord? 424 00:27:59,560 --> 00:28:02,160 A major chord is when everything in your life works out perfectly, 425 00:28:02,160 --> 00:28:05,360 when you have everything you could ever possibly want. Everything. 426 00:28:05,360 --> 00:28:07,720 You have the woman you want, you have the music you want, 427 00:28:07,720 --> 00:28:10,200 and you have enough money to live comfortably. 428 00:28:10,200 --> 00:28:11,640 And that's a major chord. 429 00:28:12,880 --> 00:28:14,440 Huh. 430 00:28:16,880 --> 00:28:18,840 A-one, two, three, four. 431 00:28:18,840 --> 00:28:21,440 SWINGING JAZZ 432 00:28:41,120 --> 00:28:43,160 MAN: That's enough, Doyle. Hold! 433 00:28:44,680 --> 00:28:46,320 Doyle! 434 00:28:46,320 --> 00:28:49,120 What? I've got a hangover. That's a little loud. 435 00:28:49,120 --> 00:28:52,000 A little loud? What do you mean? You didn't dig those sounds? 436 00:28:52,000 --> 00:28:53,920 I mean, you didn't even let me finish, man. 437 00:28:53,920 --> 00:28:55,560 You didn't even let me finish the chorus. 438 00:28:55,560 --> 00:28:56,840 Jimmy? 439 00:28:56,840 --> 00:29:00,280 Uh, Jimmy, could I talk to you just for a minute? 440 00:29:03,160 --> 00:29:04,840 Excuse me. I'll just be a sec. 441 00:29:04,840 --> 00:29:06,200 Look, you know what's happening? 442 00:29:06,200 --> 00:29:07,600 You're playing terrific... Yeah. 443 00:29:07,600 --> 00:29:09,920 ..but I think you should play just a little smoother, like a ballad 444 00:29:09,920 --> 00:29:11,560 or something. Oh, yeah. 445 00:29:11,560 --> 00:29:14,320 I think this guy's got that kind of attitude. Yeah, yeah. 446 00:29:14,320 --> 00:29:17,200 The whole joint screams... 447 00:29:17,200 --> 00:29:19,960 Are you my agent? Want 10%? Huh? 448 00:29:21,080 --> 00:29:22,920 Sit over there. Sit over there. 449 00:29:22,920 --> 00:29:24,520 I said when we came to sit over there. 450 00:29:24,520 --> 00:29:26,720 Now, sit over there. Just rude! 451 00:29:26,720 --> 00:29:30,240 See what you did? Come here! Come here. Come here! 452 00:29:33,200 --> 00:29:36,120 Don't do that in front of everybody. We do this all the time. 453 00:29:36,120 --> 00:29:38,760 Don't touch me. Don't touch me! All right, all right. 454 00:29:38,760 --> 00:29:41,360 I just wanted to say I'm sorry. I just got annoyed with him, you know. 455 00:29:41,360 --> 00:29:43,640 Sometimes I put my foot in my mouth. 456 00:29:43,640 --> 00:29:45,200 How about my foot in it? 457 00:29:45,200 --> 00:29:46,920 How about putting your horn in it? 458 00:29:48,840 --> 00:29:51,600 Well, that's what we're here for. How about giving me a break? 459 00:29:51,600 --> 00:29:54,600 Come here, I want to talk to you. Get a load of this guy, huh? 460 00:29:54,600 --> 00:29:57,600 He wants you to go over there. Come on. Come here. Come here. 461 00:29:57,600 --> 00:30:01,040 Go there, go there, go there. What? Go ahead! 462 00:30:02,320 --> 00:30:05,360 Try and understand my situation, will you? 463 00:30:05,360 --> 00:30:07,880 What I've got is a boy singer and an eight-piece polka orchestra. 464 00:30:07,880 --> 00:30:09,120 You understand? 465 00:30:11,240 --> 00:30:13,200 Try Chevalier. You know any Chevalier? 466 00:30:13,200 --> 00:30:15,240 The guys coming back from France, they like that sound. 467 00:30:17,240 --> 00:30:19,640 Chevalier? Chevalier. 468 00:30:19,640 --> 00:30:21,160 Chevalier? Yeah. 469 00:30:21,160 --> 00:30:23,520 Hey, man, I play that stuff, I kill people, you know? 470 00:30:23,520 --> 00:30:26,600 This isn't 1917. You look a little more hip to me than that. 471 00:30:26,600 --> 00:30:29,440 I'd rather get a job at a post office. Yeah, well, in that case, 472 00:30:29,440 --> 00:30:31,360 Doyle, let's forget it. Let's forget it. That's what I said. 473 00:30:31,360 --> 00:30:33,640 No, that's what I said. No, that's what I said. No, I said forget it. 474 00:30:33,640 --> 00:30:35,160 I said it. I forgot it already. 475 00:30:35,160 --> 00:30:39,120 # If the nightingales Could sing like you 476 00:30:39,120 --> 00:30:42,960 # They'd sing much sweeter Than they do 477 00:30:42,960 --> 00:30:46,640 # Cos you brought a new kind of love To me... # 478 00:30:46,640 --> 00:30:47,800 Play! 479 00:30:49,160 --> 00:30:53,160 # If the sandman Brought me dreams of you 480 00:30:53,160 --> 00:30:56,640 # I'd want to dream My whole life through 481 00:30:56,640 --> 00:31:02,280 # Cos you brought a new kind of love To me 482 00:31:02,280 --> 00:31:07,040 # I know that I'm a queen You're a king 483 00:31:07,040 --> 00:31:09,680 # Still I understand 484 00:31:09,680 --> 00:31:11,800 # That underneath it all 485 00:31:11,800 --> 00:31:14,160 # I'm a girl, and you 486 00:31:14,160 --> 00:31:16,560 # You are a man 487 00:31:16,560 --> 00:31:19,880 # I would work and slave My whole life through 488 00:31:19,880 --> 00:31:23,520 # If I could hurry home to you 489 00:31:23,520 --> 00:31:26,160 # Cos you brought a new kind of love... # 490 00:31:26,160 --> 00:31:27,520 Can you dance? 491 00:31:29,360 --> 00:31:32,160 Not you. Her. What's the matter with you? Are you crazy? 492 00:31:39,280 --> 00:31:41,320 Let's see the legs. The legs! 493 00:31:46,480 --> 00:31:50,160 # How I'd work and slave My whole life through 494 00:31:50,160 --> 00:31:53,840 # Just to hurry home to you 495 00:31:53,840 --> 00:31:58,920 # Cos you brought a new kind of love To me 496 00:31:59,840 --> 00:32:04,400 # Oh, you brought a new kind of love To me 497 00:32:04,400 --> 00:32:07,640 SHE SCATS 498 00:32:09,360 --> 00:32:12,120 # New love. # 499 00:32:12,120 --> 00:32:14,560 That's it. We're making a boy-girl act. You start tomorrow night. 500 00:32:14,560 --> 00:32:16,680 Three shows nightly, you're off Sundays. 501 00:32:18,800 --> 00:32:22,680 MUSIC: You Brought A New Kind Of Love To Me 502 00:32:30,360 --> 00:32:33,280 UP-TEMPO RUMBA-STYLE MUSIC 503 00:32:41,880 --> 00:32:44,800 JAZZ-BAND MUSIC 504 00:33:01,480 --> 00:33:04,240 We've got to work on some material for tomorrow. 505 00:33:04,240 --> 00:33:07,480 I'll have to go in. It's so late. Stay with me a little while. 506 00:33:07,480 --> 00:33:08,600 No. It's early yet. 507 00:33:08,600 --> 00:33:10,840 No. It's too... I'm getting soaked. 508 00:33:18,200 --> 00:33:19,520 Mm! 509 00:33:21,080 --> 00:33:24,320 Jimmy, look, why don't you just call me tomorrow at noon? 510 00:33:24,320 --> 00:33:26,840 What time? Noon is fine. All right, I'll call you. OK. 511 00:33:43,920 --> 00:33:46,560 OK, I'm going. I'm going now. 512 00:33:55,800 --> 00:33:58,600 Goodnight, Jimmy. OK. I'll call you tomorrow. OK! 513 00:33:58,600 --> 00:34:02,120 Bye! Where to, buddy? Just a minute. I'm looking... 514 00:34:04,200 --> 00:34:06,800 Oh, Miss Evans! Miss Evans! What? 515 00:34:06,800 --> 00:34:09,840 Telephone. It's your agent. He's been calling all night. 516 00:34:09,840 --> 00:34:12,320 You can take it here. Thank you. 517 00:34:15,440 --> 00:34:17,560 Hello? 518 00:34:17,560 --> 00:34:20,240 Tony, it's nice to hear from you. Yes, sir. May I help you? 519 00:34:20,240 --> 00:34:22,920 I'd like to check in. Fine. If you'll just sign the register. 520 00:34:22,920 --> 00:34:25,960 Sure. Do you have any more bags outside? Yes, I do. 521 00:34:25,960 --> 00:34:27,280 I have one in the cab over there, 522 00:34:27,280 --> 00:34:29,520 if you wouldn't mind waking up the bellhop. 523 00:34:29,520 --> 00:34:31,880 I don't want to disturb him, wake him up and send him outside. 524 00:34:31,880 --> 00:34:34,600 I'll just pay the bill also, and put it on this bill. 525 00:34:34,600 --> 00:34:37,600 That'll be fine. Well, we'll wake him in a few minutes. 526 00:34:37,600 --> 00:34:40,160 Yeah, I'm sort of ready to go back to work. 527 00:34:40,160 --> 00:34:43,160 I'd like a little bit of little rest. Mr M Powell... 528 00:34:43,160 --> 00:34:45,480 Excuse me, sir. Hold on a second, Tony. 529 00:34:45,480 --> 00:34:49,360 What are you doing? I'm checking in. Why here? Why not here? 530 00:34:49,360 --> 00:34:51,680 Because I'm going to get blamed when you don't pay the bill, 531 00:34:51,680 --> 00:34:53,440 and you know you're not going to pay the bill! Forget it, 532 00:34:53,440 --> 00:34:55,720 I'm checking in. Will you hold on just for a minute? 533 00:34:55,720 --> 00:34:57,480 Anything else you'd like, sir? Yes, I would. 534 00:34:57,480 --> 00:34:59,880 I'd like some Scotch and some vodka. There's a liquor store around here. 535 00:34:59,880 --> 00:35:02,280 Maybe we can send the bellhop over and get it. 536 00:35:02,280 --> 00:35:03,960 Well... We'll just put that on the bill, OK? 537 00:35:03,960 --> 00:35:05,960 When he wakes up, we'll send him out. OK. 538 00:35:07,880 --> 00:35:10,320 All right, Jimmy. Look. 539 00:35:07,880 --> 00:35:10,320 BELL RINGS 540 00:35:11,320 --> 00:35:14,440 Take this. This'll be enough for a room for tonight. 541 00:35:14,440 --> 00:35:16,520 Just go any place else. It's a lot easier if I just come up and we 542 00:35:16,520 --> 00:35:19,360 start working on the material. I'll sleep in the bathtub, I told you. 543 00:35:19,360 --> 00:35:22,000 No. A lot easier. No. A lot easier. 544 00:35:22,000 --> 00:35:23,480 Please, take this. 545 00:35:24,880 --> 00:35:28,160 It's a lot easier. Just take this, Jimmy. 546 00:35:31,520 --> 00:35:34,320 12 o'clock? Yes. Twe-... 547 00:35:34,320 --> 00:35:35,400 I promise. 548 00:35:35,400 --> 00:35:38,080 All right. Suite 415, sir. 549 00:35:38,080 --> 00:35:39,360 Forget it, I'm not going to take it. 550 00:35:39,360 --> 00:35:41,640 He doesn't even wake up, forget it. I'm not interested. 551 00:35:41,640 --> 00:35:43,520 Sorry you feel that way, sir. 552 00:35:50,880 --> 00:35:52,640 Mm! 553 00:35:52,640 --> 00:35:54,360 BELL CLATTERS 554 00:36:05,560 --> 00:36:07,080 That's a great suit. Oh. 555 00:36:07,080 --> 00:36:09,480 Thank you very much, Miss Evans. 556 00:36:11,600 --> 00:36:13,400 Tony. What do you want? 557 00:36:15,160 --> 00:36:17,800 Right, Frankie Harte, 7:30 tomorrow morning. 558 00:36:19,000 --> 00:36:20,680 No! No! 559 00:36:22,320 --> 00:36:25,480 Jimmy! Jimmy! Jimmy! 560 00:36:40,560 --> 00:36:43,800 UP-TEMPO JAZZ 561 00:37:30,720 --> 00:37:32,600 Beautiful, beautiful. 562 00:37:32,600 --> 00:37:35,080 INDISTINCT CHATTER 563 00:37:35,080 --> 00:37:38,640 Hey, Pops, are you Jimmy Doyle? Want to play the blues? Yeah... 564 00:37:38,640 --> 00:37:40,440 Are you Jimmy Doyle? 565 00:37:44,160 --> 00:37:45,360 No. 566 00:37:45,360 --> 00:37:47,480 You're the sax player, ain't you? 567 00:37:49,560 --> 00:37:51,440 I'm the sax player, but I'm not Jimmy Doyle. 568 00:37:51,440 --> 00:37:53,960 Do you think it's possible that you can communicate 569 00:37:53,960 --> 00:37:55,840 with Jimmy Doyle, the sax player? 570 00:37:55,840 --> 00:37:58,160 It depends on what you want me to communicate. 571 00:37:58,160 --> 00:38:02,320 Well, I have a very important missive for Jimmy Doyle. A what? 572 00:38:02,320 --> 00:38:03,760 A billet-doux. 573 00:38:03,760 --> 00:38:07,000 A billet-doux? Billy who? 574 00:38:07,000 --> 00:38:08,960 RIM-SHOT 575 00:38:07,000 --> 00:38:08,960 Ba-ba-bap-bap-doo! 576 00:38:08,960 --> 00:38:13,280 I'll elucidate. A tender message from a certain female party. 577 00:38:13,280 --> 00:38:16,080 For me? For you. For him? Precisely. Ah. 578 00:38:18,440 --> 00:38:20,120 Take it, Doyle. 579 00:38:21,200 --> 00:38:24,760 It's from Francine. She said she had a wonderful time. 580 00:38:34,640 --> 00:38:37,040 Wait, I'll be right back. Where are you going? I'll be right back. 581 00:38:39,280 --> 00:38:41,600 That girl ain't coming, is she? She'll be here. I'm getting her now. 582 00:38:41,600 --> 00:38:43,840 Ten minutes or you're fired. Who cares? No-one here anyway. 583 00:38:43,840 --> 00:38:46,480 You had your jam session, now you're not coming back! 584 00:38:46,480 --> 00:38:50,920 Hey, man! Hey, can I talk to you for a minute? 585 00:38:50,920 --> 00:38:53,680 Did you read this letter? Of course not. 586 00:38:53,680 --> 00:38:55,840 What do you think I am? Crazy? I read letters? 587 00:38:55,840 --> 00:38:57,200 Your name is Tony Harwell? 588 00:38:57,200 --> 00:38:58,880 That's right. 589 00:38:58,880 --> 00:39:00,760 You're an agent? Yeah. 590 00:39:00,760 --> 00:39:03,680 You're her agent? Of course. 591 00:39:03,680 --> 00:39:06,440 She says, "Just ask Tony if you need any help on anything. 592 00:39:06,440 --> 00:39:08,880 "He's a wonderful cat and he appreciates talent." 593 00:39:08,880 --> 00:39:10,280 Let me see that. 594 00:39:10,280 --> 00:39:12,480 I can't show you the letter, man. It's a personal letter. 595 00:39:12,480 --> 00:39:13,960 But that's what she said. 596 00:39:13,960 --> 00:39:15,640 She also said that she's with Frankie Harte's band, 597 00:39:15,640 --> 00:39:16,920 she's on the road, 598 00:39:16,920 --> 00:39:19,680 and there's a possibility of a spot for me. Is that true? 599 00:39:19,680 --> 00:39:21,280 Possibility. 600 00:39:21,280 --> 00:39:23,080 A possibility? 601 00:39:23,080 --> 00:39:24,280 That's right. 602 00:39:26,400 --> 00:39:27,760 You're an agent? 603 00:39:27,760 --> 00:39:30,400 I reiterate, yes. 604 00:39:30,400 --> 00:39:33,160 If I went down there, would you be my agent? No. 605 00:39:33,160 --> 00:39:34,640 Why not? 606 00:39:34,640 --> 00:39:37,520 I ain't interested. I'm satisfied with the list of clients I got now. 607 00:39:37,520 --> 00:39:40,360 You're making a mistake, but OK, you know. I've made a lot of mistakes. 608 00:39:40,360 --> 00:39:41,720 I'll make another one. 609 00:39:41,720 --> 00:39:43,520 This one's on me. 610 00:39:43,520 --> 00:39:45,000 Where is she? 611 00:39:45,000 --> 00:39:46,720 Why should I tell you where she is, 612 00:39:46,720 --> 00:39:48,640 if she doesn't tell you where she is her letter? 613 00:39:48,640 --> 00:39:51,160 Why do you take the time to come all the way out to Brooklyn 614 00:39:51,160 --> 00:39:53,080 to give me this letter if you don't think she cares enough about me to 615 00:39:53,080 --> 00:39:54,800 let me know where she is? 616 00:39:54,800 --> 00:39:57,800 Or to let you know to let me know where she is? 617 00:39:57,800 --> 00:39:59,680 Doesn't that make sense to you? 618 00:39:59,680 --> 00:40:02,040 It...should, but it don't. 619 00:40:04,040 --> 00:40:06,960 They're in Asheville. Asheville? But don't mention my name, because 620 00:40:06,960 --> 00:40:09,080 if Frankie asks me, I don't even know you, I'll say 621 00:40:09,080 --> 00:40:11,400 I've never even met you. I don't know you. 622 00:40:11,400 --> 00:40:12,800 Where is Asheville? 623 00:40:12,800 --> 00:40:14,800 Where God lost his shoes. 624 00:40:14,800 --> 00:40:18,240 Where God lost his shoes. That's a good answer. Thanks a lot. 625 00:40:18,240 --> 00:40:21,360 Well, I'll find it. Asheville is a mountain resort in North Carolina. 626 00:40:21,360 --> 00:40:23,640 Thanks for telling me. Let me ask you something. 627 00:40:23,640 --> 00:40:25,640 Any other advice for me? Yeah. 628 00:40:25,640 --> 00:40:28,560 Stay off the junk and you'll go far. Fine, thanks a lot... 629 00:40:39,480 --> 00:40:42,360 MELANCHOLY SAXOPHONE 630 00:41:05,560 --> 00:41:09,000 # Once in a while 631 00:41:09,000 --> 00:41:15,040 # Won't you try to give One little thought 632 00:41:15,040 --> 00:41:17,520 # To me? 633 00:41:17,520 --> 00:41:22,000 # Though someone else may be 634 00:41:22,000 --> 00:41:26,960 # Nearer your heart 635 00:41:29,520 --> 00:41:33,160 # Once in a while 636 00:41:33,160 --> 00:41:37,200 # Won't you think of the moments 637 00:41:37,200 --> 00:41:40,280 # I shared with you? 638 00:41:41,760 --> 00:41:46,000 # Moments before we two 639 00:41:46,000 --> 00:41:49,960 # Drifted apart 640 00:41:53,480 --> 00:41:59,600 # In love's smouldering embers 641 00:41:59,600 --> 00:42:05,040 # One spark may remain 642 00:42:05,040 --> 00:42:10,840 # If love still can remember 643 00:42:10,840 --> 00:42:16,440 # That spark may burn again. # 644 00:42:18,480 --> 00:42:21,000 They left? Where did they go? Do you know? 645 00:42:22,080 --> 00:42:23,480 Roanoke? 646 00:42:23,480 --> 00:42:27,880 The Mayfair Club in Roanoke, Virginia? Hello? 647 00:42:27,880 --> 00:42:31,800 All aboard! Thank you. Thank you very much. 648 00:42:38,120 --> 00:42:39,440 Come on! 649 00:42:45,520 --> 00:42:47,480 BIG BAND MUSIC PLAYS 650 00:42:56,160 --> 00:43:01,800 # You are my lucky star 651 00:43:01,800 --> 00:43:07,320 # I saw you from afar 652 00:43:07,320 --> 00:43:12,280 # Two lovely eyes of blue They were gleaming 653 00:43:12,280 --> 00:43:15,280 # Beaming 654 00:43:15,280 --> 00:43:17,880 # I was starstruck 655 00:43:17,880 --> 00:43:23,480 # You're all my lucky charms... # 656 00:43:28,160 --> 00:43:31,120 Keep the change. Here. Here's your change. 657 00:43:31,120 --> 00:43:33,320 No, that's for you. Keep it. It's only a nickel. 658 00:43:33,320 --> 00:43:36,280 The nickel's for you. It's a tip. Ah, take it. 659 00:43:37,440 --> 00:43:39,280 You don't want the nickel? No. You don't want it? No. 660 00:43:39,280 --> 00:43:40,640 All right, I'll take it. 661 00:43:42,600 --> 00:43:46,440 # ..all my lucky charms 662 00:43:46,440 --> 00:43:52,120 # I'm lucky in your arms 663 00:43:52,120 --> 00:43:54,640 # You've opened heaven's portal 664 00:43:54,640 --> 00:43:57,400 # Here on earth For this poor mortal 665 00:43:57,400 --> 00:44:02,640 # You are my lucky, lucky star. # 666 00:44:19,440 --> 00:44:21,400 APPLAUSE 667 00:44:24,840 --> 00:44:28,480 JIMMY'S SOLO APPLAUSE CONTINUES 668 00:44:30,040 --> 00:44:32,000 APPLAUSE RESUMES 669 00:44:32,000 --> 00:44:34,720 Look at that five-star pain in the ass out there, will you? 670 00:44:34,720 --> 00:44:36,680 Look at that. 671 00:44:36,680 --> 00:44:38,480 I'm going to go over there and stuff him in the garbage. 672 00:44:38,480 --> 00:44:39,840 No, wait, no. 673 00:44:39,840 --> 00:44:42,240 He may be a vet, with a... 674 00:44:42,240 --> 00:44:44,120 I think I know him. 675 00:44:45,040 --> 00:44:47,240 BAND STARTS UP AGAIN 676 00:44:56,720 --> 00:44:58,680 BAND DROWNS OUT CONVERSATION 677 00:45:34,320 --> 00:45:36,760 OK, hold it. Hold it! Hold it! 678 00:45:36,760 --> 00:45:38,880 Hold it, hold it, hold it! 679 00:45:38,880 --> 00:45:40,640 Please. Now, look, 680 00:45:40,640 --> 00:45:42,200 you go back up on the bandstand, Paul. 681 00:45:42,200 --> 00:45:43,560 I'm going to come right back up there with you. 682 00:45:43,560 --> 00:45:45,840 Jimmy, I'll talk to you after the set is finished, all right? 683 00:45:45,840 --> 00:45:48,440 After the set? After the set is finished. OK. Sure. All right. 684 00:45:49,840 --> 00:45:51,880 But first, I'm going to have a word with him. 685 00:45:53,280 --> 00:45:55,800 All right, you're upset because I didn't come to you in person 686 00:45:55,800 --> 00:45:57,440 and say goodbye. Right? 687 00:45:57,440 --> 00:45:59,760 Right. Which brings up another thing - 688 00:45:59,760 --> 00:46:02,440 you don't say goodbye to me, I say goodbye to you. 689 00:46:02,440 --> 00:46:05,080 In no way, shape, or form, do you say goodbye to me. 690 00:46:05,080 --> 00:46:07,240 I say goodbye to you! 691 00:46:07,240 --> 00:46:09,040 Oh. Fine. 692 00:46:09,040 --> 00:46:11,520 Go ahead and say it. Say what? 693 00:46:11,520 --> 00:46:13,400 Say goodbye. Go ahead. 694 00:46:14,840 --> 00:46:16,360 Come here. 695 00:46:19,160 --> 00:46:20,600 Come here. 696 00:46:22,560 --> 00:46:23,680 Oh, I see. 697 00:46:23,680 --> 00:46:26,520 I just have to wait until you say, "Come here," right? 698 00:46:26,520 --> 00:46:29,080 And then, when you say, "Come here," I'm supposed to come here... 699 00:46:29,080 --> 00:46:30,360 Look. Look! 700 00:46:30,360 --> 00:46:33,720 You think I came all the way down here to argue with you? Huh? 701 00:46:33,720 --> 00:46:37,520 You think I came all the way down here, chased you, to argue with you? 702 00:46:37,520 --> 00:46:39,720 I'm just confused. Can you understand that when I said 703 00:46:39,720 --> 00:46:41,720 "major chord", that I meant it about you? 704 00:46:47,200 --> 00:46:50,920 Sometimes you really are hard to understand. You really are. 705 00:46:50,920 --> 00:46:53,080 You're hard to understand. Don't change the subject. 706 00:46:56,000 --> 00:46:57,800 I love you. 707 00:46:59,040 --> 00:47:02,920 I mean, I don't love you, I dig you. I like you a lot and, you know, 708 00:47:02,920 --> 00:47:05,320 I mean...I wouldn't come all the way down here 709 00:47:05,320 --> 00:47:07,440 if I didn't like you , right? 710 00:47:07,440 --> 00:47:08,720 Yeah. 711 00:47:23,440 --> 00:47:25,120 Oh, Jimmy. 712 00:47:25,120 --> 00:47:26,320 Oh... 713 00:47:28,680 --> 00:47:30,520 How do you feel about Texarkana? 714 00:47:32,160 --> 00:47:34,440 How do I feel about Texarkana? What do you mean? 715 00:47:34,440 --> 00:47:38,640 What I'm saying is that Frankie said that if you came down, 716 00:47:38,640 --> 00:47:39,920 you could audition. 717 00:47:39,920 --> 00:47:41,840 I could audition? Yeah. 718 00:47:41,840 --> 00:47:44,600 No, forget it. I'll play for him. I won't audition. 719 00:47:45,880 --> 00:47:47,120 OK. 720 00:47:47,120 --> 00:47:49,600 LAUGHING: Oh, Jimmy! 721 00:47:49,600 --> 00:47:52,520 INTRICATE SOLO 722 00:48:34,560 --> 00:48:35,800 Jimmy, come on. 723 00:48:35,800 --> 00:48:37,840 Jay, will you please? It's slippery out there. 724 00:48:37,840 --> 00:48:40,880 We don't want to slide into town. We want to drive in. 725 00:48:40,880 --> 00:48:43,000 Leave me alone. I'm trying to take a nap. 726 00:48:43,000 --> 00:48:44,960 UP-TEMPO BIG BAND MUSIC 727 00:48:58,160 --> 00:49:01,040 RAUCOUS SAX 728 00:49:16,720 --> 00:49:18,920 INDISTINCT CHATTER 729 00:49:18,920 --> 00:49:20,960 Give me some quarters, he's beating the pants off you. 730 00:49:20,960 --> 00:49:24,200 I'm glad I'm working for you. You should be glad to work for anybody. 731 00:49:24,200 --> 00:49:25,760 You're not the greatest piano player in the world. 732 00:49:25,760 --> 00:49:27,200 You know that, don't you? 733 00:49:27,200 --> 00:49:29,440 It's going to be one of those nights. 734 00:49:29,440 --> 00:49:31,360 I'm a good musician, man. 735 00:49:31,360 --> 00:49:34,400 You really are. Coming from me, that means nothing. 736 00:50:03,440 --> 00:50:06,360 MELLOW SAX 737 00:50:11,280 --> 00:50:13,920 Maybe someday you'll write something for me, too. 738 00:50:16,000 --> 00:50:18,600 I am writing something for you. 739 00:50:18,600 --> 00:50:20,720 I'm writing this for you. 740 00:50:20,720 --> 00:50:22,160 What, you think I checked out each room? 741 00:50:22,160 --> 00:50:26,760 OVERLAPPING ARGUMENTS Last time, I wound up in a basement. 742 00:50:26,760 --> 00:50:29,360 Why don't you guys zip up, huh? Clam up, will you? 743 00:50:29,360 --> 00:50:31,680 You don't even let me read what you're writing now, 744 00:50:31,680 --> 00:50:33,360 let alone your first poem. 745 00:50:33,360 --> 00:50:35,640 Imagine you giving me your first poem. Ha! 746 00:50:37,680 --> 00:50:39,400 Right, now let's go into the bridge. 747 00:50:44,360 --> 00:50:46,920 If you let me read some of that, 748 00:50:46,920 --> 00:50:49,920 I'll let you write the lyrics to this. 749 00:50:49,920 --> 00:50:52,560 That's blackmail. Right. 750 00:50:52,560 --> 00:50:57,560 DRUNKEN AND INDISTINCT SINGING 751 00:51:29,080 --> 00:51:31,840 No, Jimmy. Oh, come on! Come on. Let me see what it is... 752 00:51:31,840 --> 00:51:34,480 No, I don't want to. Oh, come on. No, it's private. You know that. 753 00:51:34,480 --> 00:51:36,800 It's only a poem. 754 00:51:34,480 --> 00:51:36,800 SHE SCOFFS 755 00:51:36,800 --> 00:51:38,000 Well, it's my poem, and it's for me. 756 00:51:38,000 --> 00:51:41,320 Come on, you never let me see what you write. I'm embarrassed! 757 00:51:49,360 --> 00:51:51,080 You wrote all this about me? 758 00:51:51,080 --> 00:51:53,200 It's all about me? 759 00:51:53,200 --> 00:51:55,400 Most of it. It's all about me, though? 760 00:51:55,400 --> 00:51:58,840 Yeah. Not anybody else. All about me. That's right. 761 00:52:05,040 --> 00:52:06,480 Get your shoes on. Come on. 762 00:52:06,480 --> 00:52:08,560 Are you all right, honey? Yeah. 763 00:52:08,560 --> 00:52:10,480 I know it's not very good, but... 764 00:52:11,680 --> 00:52:12,960 Come on, get them on. 765 00:52:16,440 --> 00:52:18,320 Come on. 766 00:52:18,320 --> 00:52:20,960 Uh, I don't know what we're doing now. 767 00:52:28,560 --> 00:52:30,880 DRIVER: Pay me. We're going to be right back. 768 00:52:30,880 --> 00:52:33,040 A few minutes. You pay me now. No, I'm not going to pay you now, man. 769 00:52:33,040 --> 00:52:34,680 You think I'm not going to have a cab standing by 770 00:52:34,680 --> 00:52:36,080 in the middle of nowhere? 771 00:52:36,080 --> 00:52:39,160 We'll be back in a second, I think. 772 00:52:39,160 --> 00:52:40,760 OK, here... 773 00:52:49,600 --> 00:52:51,800 Are you all right? Want a handkerchief? 774 00:52:51,800 --> 00:52:54,360 It's nothing. The window... I got a handkerchief. 775 00:52:55,400 --> 00:52:57,160 I had a handkerchief. 776 00:52:57,160 --> 00:52:59,760 You knocked? Yes, we... Sorry. 777 00:53:01,840 --> 00:53:04,680 I'm terribly sorry about that. Are you the Justice of the Peace? 778 00:53:04,680 --> 00:53:07,160 That's right. You are. I'm sorry about the window. 779 00:53:07,160 --> 00:53:08,360 It's just we're a little anxious. 780 00:53:08,360 --> 00:53:10,800 Is there a possibility that we could be married now? 781 00:53:10,800 --> 00:53:13,320 We're in a bit of a hurry. I can't even explain to you why. 782 00:53:13,320 --> 00:53:14,800 I wish I could. You can see the way we look. 783 00:53:14,800 --> 00:53:17,400 Please close yourself, honey. Now? Yeah. Could you, please? 784 00:53:17,400 --> 00:53:19,120 Just take about two minutes of your time. 785 00:53:19,120 --> 00:53:21,760 We'll make it worth your while, and I pay for the glass, too. 786 00:53:21,760 --> 00:53:24,520 Could you, please? Well... I guess... 787 00:53:24,520 --> 00:53:26,840 We can arrange it. Yes. Come on. Come on in. 788 00:53:29,560 --> 00:53:31,920 No. Just a minute. 789 00:53:31,920 --> 00:53:34,160 Can I...? Aren't you sure? 790 00:53:34,160 --> 00:53:36,000 Yeah, just one second. 791 00:53:36,000 --> 00:53:38,320 You're kidding, right? Kidding what? That was it? 792 00:53:38,320 --> 00:53:40,040 What was what? Your proposal? 793 00:53:40,040 --> 00:53:42,880 "Get your coat on, put on your shoes, let's go, let's go!" 794 00:53:42,880 --> 00:53:45,520 That was it? What's wrong with that? 795 00:53:45,520 --> 00:53:47,080 They're not sure. 796 00:53:47,080 --> 00:53:49,200 Sure, we're sure. What's wrong with that? 797 00:53:49,200 --> 00:53:53,200 Well...I just guess I thought it was going to be different, you know. 798 00:53:53,200 --> 00:53:55,280 It is different. It's the way I doo it. 799 00:53:55,280 --> 00:53:57,600 Anything wrong? There's nothing wrong. 800 00:53:58,560 --> 00:54:02,040 They're not sure. Believe me. No, I just thought... Uh... 801 00:54:04,400 --> 00:54:06,680 What? Nothing, I just thought it would be different, 802 00:54:06,680 --> 00:54:08,000 you know what I mean? Different? 803 00:54:08,000 --> 00:54:10,200 SHOUTING: It is different! I know it's different! What's the problem? 804 00:54:10,200 --> 00:54:12,120 Not the kind of different I had in mind. What's the problem?! 805 00:54:12,120 --> 00:54:14,640 The kind of different I had in mind was maybe sweet and calm and... 806 00:54:14,640 --> 00:54:16,400 SHOUTING: It is calm! 807 00:54:16,400 --> 00:54:18,720 I'm sorry. Just a little... It's... 808 00:54:19,680 --> 00:54:22,200 ..and pretty, you know? What? Pretty! 809 00:54:22,200 --> 00:54:25,080 It's pretty...! You can't say that. 810 00:54:25,080 --> 00:54:27,360 It is pretty. You can't... Look. You can't say it's pretty. 811 00:54:27,360 --> 00:54:29,320 I want to marry you! What are you talking about?! 812 00:54:29,320 --> 00:54:31,440 Please, go inside. Go inside. This is private. 813 00:54:31,440 --> 00:54:33,080 Would you wait one second, please? 814 00:54:34,960 --> 00:54:37,360 Did you hear what I said? Yes. I want to marry you. OK? 815 00:54:37,360 --> 00:54:40,920 OK? What's the matter? What do you want me to do? Oh! 816 00:54:45,720 --> 00:54:47,680 You want me to kill myself over this, darling?! 817 00:54:47,680 --> 00:54:48,880 What are you...? 818 00:54:50,360 --> 00:54:52,960 Listen. When I say "now," you back up. That's it. 819 00:54:52,960 --> 00:54:54,400 Jimmy, I... 820 00:54:54,400 --> 00:54:57,080 Uh... Wait a minute. 821 00:54:57,080 --> 00:54:59,040 Don't back up! Don't move! Now! 822 00:54:59,040 --> 00:55:02,080 No, no! Now! No! 823 00:55:02,080 --> 00:55:04,800 Don't shift, don't do anything. Just stay... 824 00:55:04,800 --> 00:55:07,280 Will you please get out from under there? He... 825 00:55:07,280 --> 00:55:08,720 This happens all the time. 826 00:55:10,480 --> 00:55:14,760 Will you marry me? Will you marry me? I love you. Will you marry me? 827 00:55:14,760 --> 00:55:17,280 I don't want anybody else to be with you. I don't want anybody else. 828 00:55:17,280 --> 00:55:19,240 I want to be with you, understand? 829 00:55:19,240 --> 00:55:22,960 I don't want anybody else to be with you, except me. I love you. 830 00:55:24,640 --> 00:55:26,440 I love you. 831 00:55:29,960 --> 00:55:31,960 Look at me. I love you. 832 00:55:41,320 --> 00:55:43,320 I love you, too. 833 00:55:50,720 --> 00:55:52,120 Wait... 834 00:55:59,040 --> 00:56:01,440 See, that was terrific. 835 00:56:01,440 --> 00:56:03,040 You liked that? 836 00:56:03,040 --> 00:56:04,720 Yeah, I liked that. 837 00:56:04,720 --> 00:56:06,400 It was a lot better that way? 838 00:56:06,400 --> 00:56:08,520 Yeah. Oh, good. 839 00:56:08,520 --> 00:56:10,280 SHE GIGGLES 840 00:56:13,000 --> 00:56:15,960 LAUGHING: Hey! No! 841 00:56:15,960 --> 00:56:21,160 RHYTHMIC SWING MUSIC 842 00:56:46,200 --> 00:56:49,160 You missing a man? Yeah, Fowler. Did you find him? 843 00:56:49,160 --> 00:56:52,400 The house dick did. Caught him in his room with a local chick. 844 00:56:52,400 --> 00:56:56,120 Big deal. So what? What do you mean, "bid deal?" She's 13. 845 00:56:56,120 --> 00:56:58,400 The father grabbed the guy's gun and started shooting out 846 00:56:58,400 --> 00:57:00,720 all the lights. The cops have got him now. 847 00:57:00,720 --> 00:57:01,800 Thanks. 848 00:57:06,000 --> 00:57:07,840 Jimmy, take over, please. 849 00:57:07,840 --> 00:57:11,360 I've got to bail Fowler out again. This guy's driving me crazy. 850 00:57:11,360 --> 00:57:14,160 Listen, Frank, could I do a couple of my arrangements? 851 00:57:14,160 --> 00:57:16,760 Please, not tonight. Just play the usual, huh? 852 00:57:16,760 --> 00:57:18,760 Come o, man! There are only four people in the audience. 853 00:57:18,760 --> 00:57:21,080 What's the difference? I don't care about that. 854 00:57:21,080 --> 00:57:23,840 I'm only asking you to front for me. Do you have to give me grief, too? 855 00:57:23,840 --> 00:57:25,160 All right, all right. 856 00:58:00,120 --> 00:58:02,880 Fran, I am going to cancel the rest of the tour. 857 00:58:02,880 --> 00:58:05,640 Again? What do you mean, "again?" 858 00:58:05,640 --> 00:58:09,200 Well, this is the...fifth time that you've cancelled. 859 00:58:09,200 --> 00:58:11,880 But it's the first time I meant it. I really mean it now. 860 00:58:11,880 --> 00:58:13,640 Then, I was jiving you. I mean it. 861 00:58:13,640 --> 00:58:15,640 I'm going to really pack it in. Really? Yeah, yeah. 862 00:58:15,640 --> 00:58:18,840 Oh, come on. You remember we used to go out and do 80, 85 one-nighters 863 00:58:18,840 --> 00:58:21,120 in a row. Yeah. 864 00:58:21,120 --> 00:58:24,000 Those joints, they're not ballrooms any more, baby. 865 00:58:24,000 --> 00:58:26,880 They're like parking lots, skating rinks. 866 00:58:26,880 --> 00:58:29,400 The theatres, they're all bombed out. 867 00:58:30,440 --> 00:58:31,960 I've thought a lot about it. 868 00:58:31,960 --> 00:58:34,440 Thought about letting somebody else front the band, you know, 869 00:58:34,440 --> 00:58:36,320 take a piece of the action. 870 00:58:36,320 --> 00:58:39,600 I wouldn't have to lift a finger. 871 00:58:39,600 --> 00:58:42,040 But there's only one guy who can front this band. 872 00:58:42,040 --> 00:58:44,240 I know. Jimmy, right? 873 00:58:44,240 --> 00:58:47,120 No. Me. 874 00:58:47,120 --> 00:58:48,520 And if I go... Pssht! 875 00:58:48,520 --> 00:58:49,800 ..the band goes. 876 00:58:49,800 --> 00:58:52,280 It's game over. You know that. 877 00:58:52,280 --> 00:58:55,400 You sure you won't have a little taste? No, you have it. 878 00:58:55,400 --> 00:58:57,520 Oh. Beautiful. I will. 879 00:59:00,360 --> 00:59:04,080 Maybe Jimmy would consider... 880 00:59:04,080 --> 00:59:06,800 You said he's good. You think he's good. 881 00:59:06,800 --> 00:59:09,280 He's not only good, baby. He's a bitch. 882 00:59:09,280 --> 00:59:12,080 He blows a barrelful of tenor. 883 00:59:12,080 --> 00:59:13,880 But he's some kind of pain in the ass. 884 00:59:13,880 --> 00:59:17,320 I don't want to start this argument. All right, OK, all right. 885 00:59:17,320 --> 00:59:20,360 But he's a top pain in the ass. That's the truth. 886 00:59:20,360 --> 00:59:22,480 Top pain in the ass. 887 00:59:22,480 --> 00:59:24,360 Let's see, that's twice... You want to say it once more, 888 00:59:24,360 --> 00:59:27,280 three times for luck? Three really is my favourite number. 889 00:59:27,280 --> 00:59:29,920 Top pain in the ass! 890 00:59:27,280 --> 00:59:29,920 SHE LAUGHS 891 00:59:32,840 --> 00:59:35,320 Maybe you're right. But he's good. 892 00:59:37,280 --> 00:59:39,520 BIG FLOURISH FINALE 893 00:59:40,960 --> 00:59:42,720 I'm sorry, Mr Doyle. 894 00:59:42,720 --> 00:59:45,520 It's not quite what I had in mind. 895 00:59:45,520 --> 00:59:46,960 Yeah. Sorry, fellas. 896 00:59:55,160 --> 00:59:58,320 Mr Horace? Look, Mr Horace, I know it's not Frankie Harte. 897 00:59:58,320 --> 01:00:00,840 We can do that stuff, too, man, but this is a different sound. 898 01:00:00,840 --> 01:00:02,720 I think you should listen to it, just give us another chance. 899 01:00:02,720 --> 01:00:05,920 This guy must be crazy. I made a deal with Frankie Harte 900 01:00:05,920 --> 01:00:10,160 and his Orchestra, not Jimmy Doyle and his Flying Sack O' Maniacs. 901 01:00:10,160 --> 01:00:13,000 This is Frankie Harte and his Orchestra, without Frankie Harte. 902 01:00:13,000 --> 01:00:14,200 In fact, it's even better. 903 01:00:14,200 --> 01:00:16,480 Frankie wouldn't give us the band if he didn't think it would work out. 904 01:00:16,480 --> 01:00:18,920 That's true. You know how Frankie is. What do you have to lose? 905 01:00:18,920 --> 01:00:20,040 Come on, give me a chance. 906 01:00:20,040 --> 01:00:22,760 What do I have to lose? What does this look like to you? 907 01:00:22,760 --> 01:00:25,600 A peanut gallery here? It looks like a place that needs someone like me. 908 01:00:25,600 --> 01:00:26,720 That's what it looks like. 909 01:00:26,720 --> 01:00:28,800 HE LAUGHS 910 01:00:28,800 --> 01:00:30,680 Give us half a chance. 911 01:00:30,680 --> 01:00:32,880 Where's the girl singer you're supposed to have? 912 01:00:32,880 --> 01:00:35,880 Is she stunning, blonde? Stunning, blonde, everything. 913 01:00:35,880 --> 01:00:38,360 She walks, she talks... She'd better be good. 914 01:00:38,360 --> 01:00:40,040 Right, fellas, get on number 358. 915 01:00:40,040 --> 01:00:42,880 Horace, have you gone crazy? You've already listened to the band 916 01:00:42,880 --> 01:00:45,200 you didn't like. Why do you want to listen to the singer? 917 01:00:45,200 --> 01:00:47,520 Of course I'm crazy. How do you think I wound up in this business? 918 01:00:48,800 --> 01:00:50,160 Hello, Mr Morris. 919 01:00:52,080 --> 01:00:53,640 OK. 920 01:00:53,640 --> 01:00:56,280 MELLOW INTRO 921 01:01:04,680 --> 01:01:09,320 # When the mellow moon begins to beam 922 01:01:09,320 --> 01:01:13,480 # Every night I dream a little dream 923 01:01:13,480 --> 01:01:18,200 # And of course Prince Charming is the theme 924 01:01:18,200 --> 01:01:23,200 # The he for me 925 01:01:23,200 --> 01:01:28,240 # Although I realise as well as you 926 01:01:28,240 --> 01:01:33,320 # It is seldom that a dream comes true 927 01:01:33,320 --> 01:01:37,160 # To me it's clear 928 01:01:38,520 --> 01:01:44,920 # That he'll appear 929 01:01:45,920 --> 01:01:49,160 # Some day he'll come along 930 01:01:49,160 --> 01:01:53,280 # The man I love 931 01:01:53,280 --> 01:01:57,560 # And he'll be big and strong 932 01:01:57,560 --> 01:02:01,040 # The man I love 933 01:02:01,040 --> 01:02:04,840 # And when he comes my way 934 01:02:04,840 --> 01:02:07,440 # I'll do my best 935 01:02:07,440 --> 01:02:14,960 # To make him stay 936 01:02:16,320 --> 01:02:20,360 # He'll look at me and smile 937 01:02:20,360 --> 01:02:24,000 # I'll understand 938 01:02:24,000 --> 01:02:27,640 # And in a little while 939 01:02:27,640 --> 01:02:31,600 # He'll take my hand 940 01:02:31,600 --> 01:02:35,680 # And though it seems absurd 941 01:02:35,680 --> 01:02:38,160 # I know we both 942 01:02:38,160 --> 01:02:44,920 # Won't say a word 943 01:02:46,960 --> 01:02:53,400 # Maybe I will meet him Sunday 944 01:02:53,400 --> 01:02:57,040 # Maybe Monday 945 01:02:57,040 --> 01:03:00,240 # Maybe not 946 01:03:01,840 --> 01:03:05,400 # Still I'm sure to meet him 947 01:03:05,400 --> 01:03:07,240 # One day 948 01:03:07,240 --> 01:03:12,520 # Maybe Tuesday will be 949 01:03:12,520 --> 01:03:17,160 # My good news day 950 01:03:17,160 --> 01:03:20,720 # He'll build a little home 951 01:03:20,720 --> 01:03:24,600 # Just meant for two 952 01:03:24,600 --> 01:03:28,120 # From which I'll never roam 953 01:03:28,120 --> 01:03:31,760 # Who would? Would you? 954 01:03:31,760 --> 01:03:35,520 # And so all else above 955 01:03:35,520 --> 01:03:39,360 # I'm waiting for 956 01:03:46,280 --> 01:03:50,440 # The man 957 01:03:50,440 --> 01:03:58,480 # I love. # 958 01:04:04,560 --> 01:04:07,000 Thank you, Francine Evans. 959 01:04:07,000 --> 01:04:09,720 "But the real winner is singer Francine Evans, 960 01:04:09,720 --> 01:04:11,920 "a spirited filly who sports musical pace 961 01:04:11,920 --> 01:04:14,080 "as smooth as her form." 962 01:04:11,920 --> 01:04:14,080 SHE LAUGHS 963 01:04:14,080 --> 01:04:17,480 "Ms Evans seems headed straight for the winner's circle." 964 01:04:17,480 --> 01:04:19,560 Jimmy, you see this? Baby, we made the paper! Yeah, I saw it. 965 01:04:19,560 --> 01:04:21,800 I saw that, yeah. Listen, the guys are all excited, 966 01:04:21,800 --> 01:04:24,000 everybody's all buzzing around, 967 01:04:24,000 --> 01:04:25,280 and Paul had a good idea. 968 01:04:25,280 --> 01:04:27,200 He said we should take one of the quotes, 969 01:04:27,200 --> 01:04:30,560 you know, like, the best quote about your band, 970 01:04:30,560 --> 01:04:32,040 and put it outside. Yeah. 971 01:04:32,040 --> 01:04:34,520 That's a good idea. Maybe take something to Downbeat... 972 01:04:34,520 --> 01:04:37,200 That's a great idea. Very good idea. Yeah, it's good. 973 01:04:37,200 --> 01:04:39,440 This is a good thing. Jimmy. We might get another week out of this 974 01:04:39,440 --> 01:04:41,520 hotel with this. Did you get in touch with that...? 975 01:04:41,520 --> 01:04:43,720 Did you get a hold of that trumpet player? 976 01:04:43,720 --> 01:04:46,360 The trumpet player... Oh, yeah. I called his wife. 977 01:04:46,360 --> 01:04:47,760 He's in Virginia on some gig. 978 01:04:47,760 --> 01:04:49,800 She'll give him the message when he calls. 979 01:04:49,800 --> 01:04:51,920 He's not going to call, man. Let's go with Charlie Baxter. 980 01:04:51,920 --> 01:04:53,160 Yeah, I like him. 981 01:04:54,200 --> 01:04:56,440 OK. I don't know if he's going to go 982 01:04:56,440 --> 01:04:58,400 for the money that we're going to be able to pay him. 983 01:04:58,400 --> 01:04:59,560 Well, that's your problem. You get him. 984 01:04:59,560 --> 01:05:01,760 You know, that's your department. 985 01:05:01,760 --> 01:05:03,720 OK. I'll see you later. 986 01:05:03,720 --> 01:05:05,200 Thank you, Paul. 987 01:05:06,360 --> 01:05:08,480 We've never made the papers like this before. 988 01:05:08,480 --> 01:05:11,080 It's really wonderful. Thank you. 989 01:05:11,080 --> 01:05:12,440 It's really good. It's great. 990 01:05:13,680 --> 01:05:15,760 # Here I go again 991 01:05:15,760 --> 01:05:17,960 # I hear the trumpets blow again 992 01:05:17,960 --> 01:05:20,520 # I'm all aglow again 993 01:05:20,520 --> 01:05:23,440 # Taking a chance on love 994 01:05:23,440 --> 01:05:25,560 # Here I slide again... # 995 01:05:26,720 --> 01:05:29,560 I know, I know. Hold it, fellas. 996 01:05:29,560 --> 01:05:32,040 Jerry... Jerry, you're not cutting it, man. 997 01:05:32,040 --> 01:05:33,920 You are not cutting it. 998 01:05:33,920 --> 01:05:36,800 If you... What is the problem, man? If you'll just... 999 01:05:36,800 --> 01:05:38,320 Excuse me. 1000 01:05:39,880 --> 01:05:41,240 You're not cutting it, man. 1001 01:05:41,240 --> 01:05:43,720 Do what is written, OK? How do you really want it to sound? 1002 01:05:43,720 --> 01:05:46,840 The way it's written! And the way I explained it to you. Come on, man! 1003 01:05:46,840 --> 01:05:50,760 I'll try. No, don't try. Do it! Don' try! Do it, do it! 1004 01:05:52,400 --> 01:05:55,240 Are you playing by yourself? I don't think so. 1005 01:05:55,240 --> 01:05:57,400 Cos I could put you in a room somewhere where you could 1006 01:05:57,400 --> 01:06:00,120 play all by yourself. I don't... You sound like you've got hooks 1007 01:06:00,120 --> 01:06:03,320 for hands. Funny. Funny, I know, but you're being funny, 1008 01:06:03,320 --> 01:06:04,720 you're costing us a lot of time. 1009 01:06:04,720 --> 01:06:07,800 A little rough, wasn't it? Hooks for hands? 1010 01:06:07,800 --> 01:06:10,800 You'd get much more out of him... Are you the bandleader? 1011 01:06:10,800 --> 01:06:13,320 No, I'm not... OK, you're not the bandleader... But you... 1012 01:06:13,320 --> 01:06:15,360 so don't tell me how to do it. I... 1013 01:06:15,360 --> 01:06:18,080 90% of all drummers are crazy, OK? I know that. 1014 01:06:18,080 --> 01:06:20,080 Look, Jimmy, we've only got 15 more minutes in this room. I know. 1015 01:06:20,080 --> 01:06:23,000 Let's go. I've got to do my hair, got to press your shirt, 1016 01:06:23,000 --> 01:06:26,640 call Tony, do my nails. I've got a lot to do. So we... 1017 01:06:26,640 --> 01:06:29,720 should really...go ahead. 1018 01:06:30,840 --> 01:06:32,320 Don't you think? 1019 01:06:35,400 --> 01:06:37,520 Ready? Yeah. 1020 01:06:37,520 --> 01:06:40,640 One, two, one, two, three, four. 1021 01:06:40,640 --> 01:06:44,880 # Here I go again I hear the trumpets blow again 1022 01:06:44,880 --> 01:06:49,640 # I'm all aglow again Taking a chance on love 1023 01:06:49,640 --> 01:06:52,960 # Here I slide... # Where on earth are you going, Nicky? 1024 01:06:52,960 --> 01:06:54,800 Where are you going, Nicky? Where are you going? 1025 01:06:54,800 --> 01:06:57,400 You're rushing that thing like we're in the racetrack or something! 1026 01:06:57,400 --> 01:06:58,960 I'm picking up the tempo from you. 1027 01:06:58,960 --> 01:07:00,840 Did you have a fight or something today? 1028 01:07:00,840 --> 01:07:02,560 No, I didn't. Then what's wrong? 1029 01:07:02,560 --> 01:07:04,640 Jimmy, there's nothing wrong. What is wrong? 1030 01:07:04,640 --> 01:07:06,480 You're not picking up the tempo from anybody, man. 1031 01:07:06,480 --> 01:07:08,440 You're not doing anything. You're doing exactly what 1032 01:07:08,440 --> 01:07:10,520 you're always doing. Your wife is slowing it down. She... 1033 01:07:10,520 --> 01:07:12,840 What am I doing? Wait a minute. Stay out of this. 1034 01:07:12,840 --> 01:07:15,080 What am I doing? Wait a minute! 1035 01:07:15,080 --> 01:07:16,720 SHE is slowing it down? Yes. 1036 01:07:16,720 --> 01:07:19,240 No, you don't understand. I am not slowing it down. I can handle it! 1037 01:07:19,240 --> 01:07:21,960 I can handle it. She's not slowing down anything, man. 1038 01:07:21,960 --> 01:07:23,760 We have been through this 50 million times. 1039 01:07:23,760 --> 01:07:26,320 You always give me a hard time. 1040 01:07:26,320 --> 01:07:28,120 Can't you read this and just do it right? 1041 01:07:28,120 --> 01:07:31,200 Now I can't read, huh? You can't read if you can't do that. 1042 01:07:31,200 --> 01:07:33,920 Listen, I studied at Brooklyn Conservatory 1043 01:07:33,920 --> 01:07:37,200 and Staten Island Conservatory of Music for three years! 1044 01:07:37,200 --> 01:07:40,360 You did? It doesn't show, man! It doesn't show? 1045 01:07:40,360 --> 01:07:42,440 It doesn't show. Maybe this will show. 1046 01:07:42,440 --> 01:07:46,320 I'm packing my axe and my hooks and I'm cutting out. 1047 01:07:46,320 --> 01:07:49,080 That shows. OK, I'm going to show you something now. 1048 01:07:49,080 --> 01:07:50,880 I want to show you something. Oh... 1049 01:07:55,720 --> 01:07:58,280 Ta-da! OK? Happy? 1050 01:07:58,280 --> 01:08:00,240 Yeah, I'm happy. Good. 1051 01:08:00,240 --> 01:08:02,120 Are you happy? Yeah, now I'm happy. 1052 01:08:02,120 --> 01:08:06,480 It's funny. I'm happy, too. Got it all out of my system. 1053 01:08:06,480 --> 01:08:09,560 Feel better? Yeah. Much better. It's very good out now. 1054 01:08:09,560 --> 01:08:12,760 OK, got your drums ready? Can we start all over again? 1055 01:08:12,760 --> 01:08:15,440 I feel much better. Good, OK. 1056 01:08:15,440 --> 01:08:17,360 One, two, three... I'm sorry. Look. 1057 01:08:17,360 --> 01:08:20,000 I know we've all been working hard, 1058 01:08:20,000 --> 01:08:22,280 we've been working too hard, 1059 01:08:22,280 --> 01:08:24,160 but, like the man says, 1060 01:08:24,160 --> 01:08:27,000 if we get this thing right, we'll blow the roof off this place! 1061 01:08:27,000 --> 01:08:29,960 You know? So, why don't we really try? 1062 01:08:32,880 --> 01:08:35,400 All right? Yeah. Good, I'm glad. 1063 01:08:35,400 --> 01:08:38,400 One, two, one, two, three, four. One, two, three, four. 1064 01:08:38,400 --> 01:08:42,800 # Here I go again I hear the trumpets blow again 1065 01:08:42,800 --> 01:08:46,880 # All aglow again Taking a chance on love... # 1066 01:08:46,880 --> 01:08:49,440 Francine, come here. 1067 01:08:49,440 --> 01:08:51,520 What? Come here. No, I'm here. 1068 01:08:52,800 --> 01:08:54,160 Don't ever do that again. 1069 01:08:54,160 --> 01:08:56,720 You do not kick off the band. I kick off the band. You understand? 1070 01:08:56,720 --> 01:09:00,440 Don't treat me like that. Don't ever do it again. Oh! Ever again. 1071 01:09:00,440 --> 01:09:02,080 Ever again. I... 1072 01:09:02,080 --> 01:09:05,040 SLAP 1073 01:09:02,080 --> 01:09:05,040 Let's go. From the tag. 1074 01:09:06,160 --> 01:09:09,200 One, two, one, two, three, four. 1075 01:09:09,200 --> 01:09:11,120 Come on. 1076 01:09:11,120 --> 01:09:13,840 # Taking a chance Taking a chance 1077 01:09:13,840 --> 01:09:17,400 # Taking a chance on love. # 1078 01:09:18,400 --> 01:09:21,320 SHE SCATS 1079 01:09:21,320 --> 01:09:23,320 Like that? Yeah. It's good. 1080 01:09:26,600 --> 01:09:29,160 SHRILL TOP NOTE 1081 01:09:36,520 --> 01:09:39,960 # What are your charms for? 1082 01:09:39,960 --> 01:09:42,960 # What are my arms for? 1083 01:09:42,960 --> 01:09:47,000 # Use your imagination 1084 01:09:47,000 --> 01:09:50,000 # Just you 1085 01:09:50,000 --> 01:09:52,880 # Just me 1086 01:09:52,880 --> 01:09:55,480 # I'll tie a lover's knot 1087 01:09:59,200 --> 01:10:02,840 # I'll tie a big fat knot 1088 01:10:02,840 --> 01:10:06,880 # Round wonderful 1089 01:10:06,880 --> 01:10:10,120 # You. # 1090 01:10:10,120 --> 01:10:11,280 Uh! 1091 01:10:13,440 --> 01:10:16,040 APPLAUSE 1092 01:10:13,440 --> 01:10:16,040 Thank you, ladies and gentlemen. 1093 01:10:13,440 --> 01:10:16,040 Thank you. Thank you. 1094 01:10:16,040 --> 01:10:19,360 Thank you, Francine Evans. Thank you. 1095 01:10:19,360 --> 01:10:22,240 You OK, baby? Yeah, OK. 1096 01:10:24,960 --> 01:10:27,360 A hand for Francine Evans, ladies and gentlemen. 1097 01:10:44,680 --> 01:10:47,000 Are you all right, baby? She's all right. 1098 01:10:47,000 --> 01:10:49,680 What's the matter? No, I feel terrific. 1099 01:10:49,680 --> 01:10:52,880 Are you sure? I'm not sick. It's just that... Uh... 1100 01:10:54,280 --> 01:10:56,880 Well, I guess now is as good a time as any. I'm going to have a baby! 1101 01:10:56,880 --> 01:10:58,560 THEY LAUGH 1102 01:10:58,560 --> 01:10:59,720 You're going to what? 1103 01:10:59,720 --> 01:11:01,640 I'm going to have a baby. 1104 01:11:01,640 --> 01:11:03,480 You're going to have a baby. 1105 01:11:13,680 --> 01:11:15,640 Say that again. 1106 01:11:13,680 --> 01:11:15,640 SHE LAUGHS 1107 01:11:18,160 --> 01:11:20,400 And then I thought you'd be upset. 1108 01:11:20,400 --> 01:11:23,360 I'm upset, but I would have been less upset then. 1109 01:11:23,360 --> 01:11:26,040 Now I'm more upset because now you walk out in the middle... 1110 01:11:26,040 --> 01:11:29,840 Oh, I'm sorry. Jimmy... Honey... 1111 01:11:31,360 --> 01:11:34,080 Do you mind if I lie down for a while? Yeah, sure. 1112 01:11:40,680 --> 01:11:42,720 Thank you. OK? Yeah. 1113 01:11:45,680 --> 01:11:47,520 You know what I think? 1114 01:11:47,520 --> 01:11:49,160 Do you want to know what I think? 1115 01:11:49,160 --> 01:11:51,200 Yeah, tell me. 1116 01:11:51,200 --> 01:11:53,120 I think I should go back to New York, 1117 01:11:53,120 --> 01:11:56,120 just stay in one place, you know, and wait it out. 1118 01:11:57,880 --> 01:11:59,760 Oh, my... I can't believe this. 1119 01:11:59,760 --> 01:12:01,360 I can't believe this. 1120 01:12:04,240 --> 01:12:06,240 Are you crazy? 1121 01:12:06,240 --> 01:12:08,080 We're on a tour over here and you want to tell me 1122 01:12:08,080 --> 01:12:11,080 you're going back home to New York?! Yeah. What are you talking about? 1123 01:12:11,080 --> 01:12:13,120 What do you want to do? Drop me off at Knoxville? 1124 01:12:13,120 --> 01:12:15,880 What we can do is very simple, baby. We'll get a car - 1125 01:12:15,880 --> 01:12:17,520 not going to be a new car, if you don't mind. 1126 01:12:17,520 --> 01:12:19,600 Of course it's not going to be. It's going be an old car. 1127 01:12:19,600 --> 01:12:22,400 I'll make it nice and comfortable, and you and I will travel in it. 1128 01:12:22,400 --> 01:12:24,880 You'll stay, and if you can't make it, you can leave a gig 1129 01:12:24,880 --> 01:12:26,320 the way you did today, whenever you want 1130 01:12:26,320 --> 01:12:30,080 but you just can't leave all of a sudden. You just cannot leave now. 1131 01:12:30,080 --> 01:12:31,680 OK? No. 1132 01:12:31,680 --> 01:12:34,240 No, yes. I want to go back to New York. Yes. 1133 01:12:34,240 --> 01:12:37,440 I want this baby to be OK. You can't... I don't want to lose this 1134 01:12:37,440 --> 01:12:40,360 baby in some strange town or on a bus somewhere. 1135 01:12:40,360 --> 01:12:42,560 The doctor said I could lose this kid if I travel, 1136 01:12:42,560 --> 01:12:45,120 and I don't intend to do that. Come on. I just said, we're going to 1137 01:12:45,120 --> 01:12:46,560 ride in a car. Do you want this baby? 1138 01:12:46,560 --> 01:12:48,480 I just said we're going to ride in a car. Do you want this baby? 1139 01:12:49,440 --> 01:12:52,520 Yeah, I want the baby. Of course. Do you want this baby? 1140 01:12:55,640 --> 01:12:59,200 What do you mean? You know what I mean. 1141 01:13:04,040 --> 01:13:06,360 HE SIGHS 1142 01:13:10,640 --> 01:13:13,440 Of course I want the baby. OK, then I'm going to New York. 1143 01:13:13,440 --> 01:13:16,280 You're going to go to New York? Yes. Go to New York. 1144 01:13:20,520 --> 01:13:23,480 Jimmy, I'm sorry. There's nothing to do. 1145 01:13:23,480 --> 01:13:25,840 If you get pregnant, you get pregnant. There's nothing to do. 1146 01:13:25,840 --> 01:13:27,320 That's it. That's life. That's... 1147 01:13:27,320 --> 01:13:29,960 I just want you to be happy. I'm happy. 1148 01:13:29,960 --> 01:13:33,440 I just want you to be so happy so much. 1149 01:13:33,440 --> 01:13:35,040 I'm happy, baby. 1150 01:13:36,400 --> 01:13:38,440 Are you really? Yeah. 1151 01:13:44,480 --> 01:13:47,440 Oh, brother. I've got just the thing for you. 1152 01:13:47,440 --> 01:13:50,000 Saltine. Oh! 1153 01:13:50,000 --> 01:13:53,560 I can't keep anything down. It settles the stomach. Take it. 1154 01:13:54,680 --> 01:13:57,360 The Chicago reviews were great for you, 1155 01:13:57,360 --> 01:13:59,920 so something big is liable to happen. 1156 01:13:59,920 --> 01:14:03,360 Meanwhile, I've set you up for some very easy work. 1157 01:14:03,360 --> 01:14:07,040 Studio stuff, demos, commercials, so you can pick up a couple of bucks. 1158 01:14:07,040 --> 01:14:09,400 Tony, I don't think we're going to need any extra money. 1159 01:14:09,400 --> 01:14:11,320 The band's doing so well. Jimmy... 1160 01:14:11,320 --> 01:14:15,200 Now listen. With a kid coming, you can always use some extra money. 1161 01:14:19,680 --> 01:14:21,840 # Blue moon 1162 01:14:21,840 --> 01:14:25,200 # You saw me standing alone 1163 01:14:25,200 --> 01:14:27,600 # Without a dream in my heart 1164 01:14:28,600 --> 01:14:30,760 # Without a love of my own 1165 01:14:33,040 --> 01:14:35,280 # Blue moon 1166 01:14:35,280 --> 01:14:38,720 # You knew just what I was there for 1167 01:14:38,720 --> 01:14:41,880 # You heard me saying a prayer for 1168 01:14:41,880 --> 01:14:44,800 # Someone I really could care for 1169 01:14:46,280 --> 01:14:49,560 # And then there suddenly appeared before me 1170 01:14:49,560 --> 01:14:53,000 # The only one my arms will ever hold 1171 01:14:53,000 --> 01:14:56,320 # I heard somebody whisper, "Please adore me" 1172 01:14:56,320 --> 01:14:57,800 # And then I looked 1173 01:14:57,800 --> 01:15:00,080 # The moon had turned to gold 1174 01:15:00,080 --> 01:15:02,160 # Blue moon 1175 01:15:02,160 --> 01:15:05,680 # Now I'm no longer alone 1176 01:15:05,680 --> 01:15:08,640 # Without a dream in my heart 1177 01:15:08,640 --> 01:15:12,560 # Without a love of my own. # 1178 01:15:21,000 --> 01:15:25,000 SMATTERING OF APPLAUSE 1179 01:15:29,080 --> 01:15:32,720 OK, good. That's a take on Jo Stafford. Let's try Peggy Lee. 1180 01:15:32,720 --> 01:15:36,040 Wait a minute! Hold it! Hold it! OK... Wait just a second. 1181 01:15:37,280 --> 01:15:40,240 SHE DOES VOCAL WARM-UP 1182 01:15:40,240 --> 01:15:44,440 She's fantastic. Terrific singer and terrific girl. 1183 01:15:44,440 --> 01:15:48,880 And as sweet as she sings, that's how sweet she is offstage. 1184 01:15:48,880 --> 01:15:51,960 You're going to make money with her. I'm sure of it. 1185 01:15:54,320 --> 01:15:56,520 # There goes the ballgame 1186 01:15:57,840 --> 01:16:01,400 # I lost and how 1187 01:16:01,400 --> 01:16:05,160 # Came to bat at the beginning 1188 01:16:05,160 --> 01:16:08,720 # Thinking that my team was winning 1189 01:16:08,720 --> 01:16:12,240 # Now I'm at the final inning 1190 01:16:12,240 --> 01:16:15,840 # Score a big fat nothing 1191 01:16:15,840 --> 01:16:17,520 # Some other place... # 1192 01:16:17,520 --> 01:16:21,480 WOMAN SOBS 1193 01:16:17,520 --> 01:16:21,480 Come on out. Come on out. 1194 01:16:21,480 --> 01:16:23,320 CRYING: No, it's over. 1195 01:16:23,320 --> 01:16:25,040 It's all over. 1196 01:16:25,040 --> 01:16:27,720 The band's finished, we're finished. 1197 01:16:27,720 --> 01:16:30,160 Everything's finished. I just know it. 1198 01:16:30,160 --> 01:16:32,880 SHE SOBS 1199 01:16:34,600 --> 01:16:35,840 What did you say? 1200 01:16:36,800 --> 01:16:39,920 Finished. I want to die. 1201 01:16:39,920 --> 01:16:41,640 You want to die. 1202 01:16:43,600 --> 01:16:47,040 Come on out, baby, for Christ's sakes. Come on. 1203 01:16:47,040 --> 01:16:49,240 I'm never going to sing again. 1204 01:16:51,600 --> 01:16:55,280 She doesn't sing now. She won't sing again. Huh?! 1205 01:16:55,280 --> 01:16:58,240 I said everything is going to be all right. You'll sing with Paul Wilson. 1206 01:16:58,240 --> 01:16:59,680 What are you talking about? 1207 01:17:01,160 --> 01:17:02,600 Come on, now. 1208 01:17:02,600 --> 01:17:04,760 No, I'm never coming out. 1209 01:17:04,760 --> 01:17:06,120 I'm not coming out. 1210 01:17:08,320 --> 01:17:10,680 Paul is waiting for you now, baby. You've got to come out. 1211 01:17:10,680 --> 01:17:12,560 They're all there. Come on. Let's go. 1212 01:17:19,200 --> 01:17:24,160 I'm no bimbo, you know. I see the writing on the wall, Jimmy. 1213 01:17:24,160 --> 01:17:27,120 What writing can you see on the wall? Did I ever call you a bimbo? 1214 01:17:27,120 --> 01:17:29,720 After all we've been through, is that what you're going to say? 1215 01:17:29,720 --> 01:17:31,080 How could you say that? 1216 01:17:33,560 --> 01:17:37,080 I hope I can trust you on this. You can trust me. 1217 01:17:37,080 --> 01:17:38,800 Yeah, I hope I'm not signing my life away. 1218 01:17:38,800 --> 01:17:41,920 Well, just signing the band away. That's enough. 1219 01:17:43,000 --> 01:17:44,200 OK. 1220 01:17:45,320 --> 01:17:48,880 The schedule's inside. The bus schedule? Yeah. OK. 1221 01:17:50,160 --> 01:17:52,880 All right. Good luck. 1222 01:17:52,880 --> 01:17:54,720 Say hello at home, huh? I will. 1223 01:17:54,720 --> 01:17:56,880 You keep in touch. OK. 1224 01:17:56,880 --> 01:17:58,680 See you in the Apple. Good trip. 1225 01:17:58,680 --> 01:18:01,360 Move over, honey. 1226 01:18:01,360 --> 01:18:03,360 The 8.02 eventually. 1227 01:18:04,400 --> 01:18:08,320 Bring her back, Jimmy. I'll bring her. Bring The Times, too. 1228 01:18:08,320 --> 01:18:09,480 Yeah, good luck. 1229 01:18:11,200 --> 01:18:12,920 See you at Charlie's! 1230 01:18:23,560 --> 01:18:24,920 Maybe another nail? 1231 01:18:24,920 --> 01:18:27,040 Oh, we have seven nails in there already. 1232 01:18:27,040 --> 01:18:30,200 An even eight? Hold your side a little bit over... 1233 01:18:31,760 --> 01:18:33,640 OK... Jimmy! Jimmy! 1234 01:18:35,920 --> 01:18:38,960 SOFT PIANO PLAYING 1235 01:19:06,400 --> 01:19:07,600 It's pretty. 1236 01:19:18,000 --> 01:19:19,840 One of the nicest things in the world is 1237 01:19:19,840 --> 01:19:21,680 waking up knowing somebody loves you. 1238 01:19:32,120 --> 01:19:33,440 You remember this? 1239 01:19:33,440 --> 01:19:35,480 This old song I wrote for you? 1240 01:19:35,480 --> 01:19:37,560 How can it be old if you wrote it for me, huh? 1241 01:19:37,560 --> 01:19:39,680 Well, it was old when I wrote it. 1242 01:19:39,680 --> 01:19:41,320 SHE CHUCKLES 1243 01:19:42,800 --> 01:19:44,960 I'm working on the words, you know. Are you? Yeah. 1244 01:19:46,040 --> 01:19:49,840 See? I've got the lyric here, part of it. 1245 01:19:51,960 --> 01:19:54,200 Want to see it? I see it. 1246 01:19:55,440 --> 01:19:58,720 PIANO CONTINUES 1247 01:20:04,720 --> 01:20:06,960 I've heard it's going to be a nice day. 1248 01:20:22,080 --> 01:20:24,480 What's the Theory of Relativity? That light is curved? 1249 01:20:28,000 --> 01:20:29,720 I don't know. 1250 01:20:31,280 --> 01:20:34,640 They say that only five people in the whole world, you know, 1251 01:20:34,640 --> 01:20:36,960 know really what it's about. 1252 01:20:39,320 --> 01:20:41,600 Well, the Japs understand, from what I know. 1253 01:20:47,600 --> 01:20:50,280 Do you want to talk about it? What do you mean? 1254 01:20:50,280 --> 01:20:52,760 I mean about the band and how you feel and... 1255 01:20:54,520 --> 01:20:56,280 ..how you are. 1256 01:20:58,840 --> 01:21:00,720 I don't know. It just didn't work. 1257 01:21:04,240 --> 01:21:05,320 I got so worried, you know, 1258 01:21:05,320 --> 01:21:07,040 when I didn't hear from you for three days. 1259 01:21:07,040 --> 01:21:09,280 I thought you were coming home and you didn't, and... 1260 01:21:11,600 --> 01:21:13,040 Well, I was... 1261 01:21:15,760 --> 01:21:18,200 Didn't you get the telegram that I sent? 1262 01:21:19,560 --> 01:21:21,440 No, I didn't get it. 1263 01:21:23,960 --> 01:21:25,560 Look, I didn't send a telegram. 1264 01:21:25,560 --> 01:21:27,640 I just really wanted to be alone for a while, by myself, that's all. 1265 01:21:27,640 --> 01:21:29,520 I wanted to figure some things out. 1266 01:21:29,520 --> 01:21:31,840 I stayed down south for a while and that was it. 1267 01:21:35,200 --> 01:21:37,080 That's normal. I understand. 1268 01:21:37,080 --> 01:21:38,600 No, you don't understand that. 1269 01:21:38,600 --> 01:21:40,680 Don't tell me you do, cos you don't really understand it. 1270 01:21:40,680 --> 01:21:42,240 But I had to do it, baby. 1271 01:21:43,600 --> 01:21:45,960 Well, I understand that I don't understand. 1272 01:21:45,960 --> 01:21:47,840 OK. That's being better about it. 1273 01:21:56,440 --> 01:22:00,880 Sammy Sparks! Sammy Sparks! 1274 01:22:00,880 --> 01:22:03,800 Hey, man. Jimmy! Hey, how have you been? Hey, man! 1275 01:22:03,800 --> 01:22:05,440 All right! 1276 01:22:05,440 --> 01:22:08,960 How have you been, man? OK. Come on over, meet some friends of mine. 1277 01:22:08,960 --> 01:22:11,440 This is Booty, this is Washington. Hey, Jimmy. Friends of mine. 1278 01:22:11,440 --> 01:22:12,920 I hear you play a mean tenor. 1279 01:22:12,920 --> 01:22:15,200 Yeah, I've heard about you, too. 1280 01:22:15,200 --> 01:22:18,200 COUGHING 1281 01:22:18,200 --> 01:22:21,920 How have you been, man? What are you doing? Where you been, huh? 1282 01:22:21,920 --> 01:22:23,800 I went on the road with Frankie Harte, 1283 01:22:23,800 --> 01:22:25,440 went on the road with him for a while, 1284 01:22:25,440 --> 01:22:27,960 then after that, I took the band over myself. 1285 01:22:27,960 --> 01:22:30,680 Kind of slipped away or something, huh? No, didn't slip away. 1286 01:22:30,680 --> 01:22:34,000 You heard that? Yeah. A little talk about it around here. 1287 01:22:34,000 --> 01:22:36,920 No, I didn't slip away. What happened was, you know... 1288 01:22:38,120 --> 01:22:40,000 ..I was working with bad musicians. 1289 01:22:40,000 --> 01:22:42,360 You can't pitch new cats in Scranton, right? 1290 01:22:42,360 --> 01:22:45,040 You've got to come back to the Apple. Yeah. 1291 01:22:45,040 --> 01:22:47,040 You know, you see the same old faces, same old place. 1292 01:22:47,040 --> 01:22:50,080 I wonder if I should be back here, man. Same thing. 1293 01:22:50,080 --> 01:22:53,040 Listen, man, I've got a little thing going 1294 01:22:53,040 --> 01:22:55,880 over at the Harlem Club, man. Oh, yeah. 1295 01:22:55,880 --> 01:22:58,760 Some really good cats om there. You got to come over there. 1296 01:22:58,760 --> 01:23:00,040 I will, I'll come up. 1297 01:23:00,040 --> 01:23:02,680 I've heard a lot about it. Yeah. Only one problem, though. 1298 01:23:02,680 --> 01:23:05,720 What's that? Do they let white cats in? You come round the back. 1299 01:23:05,720 --> 01:23:09,200 THEY LAUGH 1300 01:23:05,720 --> 01:23:09,200 Hey, man! 1301 01:23:09,200 --> 01:23:12,640 FAST JAZZ PIANO 1302 01:24:58,800 --> 01:25:01,480 WILD CHEERING 1303 01:25:07,320 --> 01:25:12,440 SCATTING 1304 01:25:15,640 --> 01:25:17,240 OK. Before you get excited, 1305 01:25:17,240 --> 01:25:19,320 just let me explain what happened. Just let me explain what happened 1306 01:25:19,320 --> 01:25:21,840 Remember that cat Cecil Powell I used to always tell you about? 1307 01:25:21,840 --> 01:25:22,880 Mm-hm. 1308 01:25:24,120 --> 01:25:27,120 Yeah, all right, OK. We'd better go to lunch. I'll explain to you there. 1309 01:25:27,120 --> 01:25:28,880 What's this? What am I getting into? 1310 01:25:28,880 --> 01:25:30,520 What are you getting into? You're getting into a Buick. 1311 01:25:30,520 --> 01:25:31,760 1941 green Buick. 1312 01:25:31,760 --> 01:25:34,080 Just get in. I'll explain to you later. Trumpet player OD'd. 1313 01:25:34,080 --> 01:25:36,800 Long story. Just get in the car. I'll explain to you later. 1314 01:25:41,640 --> 01:25:44,520 Baby, if you don't get in the car, I have no way of talking to you. 1315 01:25:44,520 --> 01:25:47,040 I'm not going to shout it in the street, so you ought to get in 1316 01:25:47,040 --> 01:25:48,240 the car and I'll explain it to you! 1317 01:25:49,400 --> 01:25:52,280 You remember Cecil Powell? Mm-hm You remember him? Yes. 1318 01:25:52,280 --> 01:25:55,120 I met him at the Union, and I went up to Harlem, this new club. 1319 01:25:55,120 --> 01:25:58,480 It was fantastic. I had a great time. Why didn't you call me? 1320 01:25:58,480 --> 01:26:01,200 Why should I call you? I'd be home in a little while. 1321 01:26:01,200 --> 01:26:03,480 So there was no reason to call. Jimmy... And then before I knew... 1322 01:26:04,560 --> 01:26:06,800 Hi, there. Hi. Yeah, hi, there. How are you? 1323 01:26:06,800 --> 01:26:09,600 Are you pulling out? Do I look like I'm pulling out? 1324 01:26:11,840 --> 01:26:14,320 Uh, excuse me. Yeah? 1325 01:26:14,320 --> 01:26:17,200 Look, I don't mean to... Would you look at me, please? 1326 01:26:17,200 --> 01:26:19,360 If I look at you, I'm going to get upset. 1327 01:26:19,360 --> 01:26:23,080 Yo! Hey, look at me! 1328 01:26:23,080 --> 01:26:26,040 I can't believe this guy! I'm looking at you, man. 1329 01:26:26,040 --> 01:26:28,760 I think you're being just a little bit unreasonable. Oh, am I? Yeah. 1330 01:26:28,760 --> 01:26:32,320 Too bad, I'm sorry. Just a little bit inconsiderate. 1331 01:26:32,320 --> 01:26:34,160 I can't believe this guy! 1332 01:26:34,160 --> 01:26:36,440 I'm being inconsiderate? Yeah! I'm being inconsiderate?! 1333 01:26:36,440 --> 01:26:37,520 HORNS HONK 1334 01:26:37,520 --> 01:26:39,480 Hey! You know what I'm doing? I'm arguing with my wife! 1335 01:26:39,480 --> 01:26:41,520 You want to come and help me solve the problem? Just a minute! 1336 01:26:41,520 --> 01:26:43,840 If you can help me solve the problem, you can have the space! 1337 01:26:43,840 --> 01:26:45,600 You can have the whole sidewalk, as far as I'm concerned. 1338 01:26:45,600 --> 01:26:48,400 You don't have to get nasty! Just a minute... 1339 01:26:48,400 --> 01:26:51,440 Get off my back, for crying out 1340 01:26:48,400 --> 01:26:51,440 loud! 1341 01:26:48,400 --> 01:26:51,440 HORNS HONK 1342 01:26:51,440 --> 01:26:53,920 I don't want to hear it. Look, lady, get out of here! 1343 01:26:53,920 --> 01:26:55,640 Just beat it, will you? 1344 01:26:55,640 --> 01:26:58,760 Don't mess with her. Get out of here! And the same to you! 1345 01:26:58,760 --> 01:27:01,200 The same to you! And you're not going to get this space 1346 01:27:01,200 --> 01:27:03,120 if it means I have to die on the floor! 1347 01:27:03,120 --> 01:27:05,280 I hope you pop! You'll never get this space, you son of a... 1348 01:27:05,280 --> 01:27:07,000 HORNS BLARE 1349 01:27:07,000 --> 01:27:10,240 Creep! What you're making me do! Creep! That's it, keep moving! 1350 01:27:10,240 --> 01:27:11,800 I hope you never get a space! 1351 01:27:11,800 --> 01:27:14,800 I hope you travel round the block 50,000 times! 1352 01:27:16,040 --> 01:27:17,720 That was dumb. Come on, let's go for lunch. 1353 01:27:19,760 --> 01:27:22,640 I'm not hungry. Oh, honey, come on, you're pregnant now. 1354 01:27:22,640 --> 01:27:24,480 Let's forget about all this other stuff and let's just 1355 01:27:24,480 --> 01:27:26,600 go and have something to eat. 1356 01:27:26,600 --> 01:27:28,480 That's right. I am pregnant. 1357 01:27:28,480 --> 01:27:30,720 In fact, I'm six months pregnant. 1358 01:27:30,720 --> 01:27:32,760 So you're just going to have to pay a little bit more attention 1359 01:27:32,760 --> 01:27:33,960 to me right now. 1360 01:27:35,360 --> 01:27:37,040 Jimmy, you opened the door for me. 1361 01:27:37,040 --> 01:27:39,560 You didn't even wait to see if I got in all right. 1362 01:27:39,560 --> 01:27:42,440 I have trouble getting around now. I do. 1363 01:27:44,160 --> 01:27:45,760 I understand you're pregnant. 1364 01:27:45,760 --> 01:27:46,840 What do you think I am, a dummy? 1365 01:27:46,840 --> 01:27:49,600 I just lost the band, for crying out loud. If it had clicked, I'd still 1366 01:27:49,600 --> 01:27:52,680 be with the band right now. Right? 1367 01:27:52,680 --> 01:27:54,840 When you wanted to come back to New York to have the baby, 1368 01:27:54,840 --> 01:27:56,520 did I stop you? 1369 01:27:56,520 --> 01:27:59,440 No, I didn't stop you, right? So, you can't stop me. 1370 01:27:59,440 --> 01:28:01,120 And another thing I'm going to tell you, 1371 01:28:01,120 --> 01:28:02,800 I don't like you doing that stuff up there. 1372 01:28:02,800 --> 01:28:04,560 What stuff? The demo stuff. 1373 01:28:04,560 --> 01:28:07,760 You're too good for that. They should be doing that for you, baby. 1374 01:28:07,760 --> 01:28:09,600 That's all I'm going to say about it. 1375 01:28:14,040 --> 01:28:16,760 So, that means from now on you'll be up there at nights, right? 1376 01:28:16,760 --> 01:28:18,600 You'll be there almost every night, huh? 1377 01:28:21,040 --> 01:28:25,640 So... The other guys are married, too, you know... I know. I know. 1378 01:28:27,440 --> 01:28:29,440 Well, I'll have to take the day shift, 1379 01:28:29,440 --> 01:28:31,280 and you take the night shift. Hm? 1380 01:28:40,080 --> 01:28:42,240 TRUNK DOOR SLAMS 1381 01:28:44,520 --> 01:28:47,080 Honey, you're making it very hard on me, baby. 1382 01:28:47,080 --> 01:28:49,600 You want me to take this, and I'm going to throw it against the wall, 1383 01:28:49,600 --> 01:28:51,320 I'm going to smash it into a million pieces? 1384 01:28:51,320 --> 01:28:54,000 Is that what you want me to do? Cos that's what you're telling me to do. 1385 01:28:55,960 --> 01:28:58,560 This is the most important thing to me, besides you. You understand? 1386 01:28:58,560 --> 01:29:01,000 And if I can't do this, then I'm not good for you, 1387 01:29:01,000 --> 01:29:02,760 and I'm not good for anybody, baby. 1388 01:29:06,880 --> 01:29:08,480 Do you understand? 1389 01:29:22,160 --> 01:29:24,800 Paul Wilson called up and he said he had that... 1390 01:29:24,800 --> 01:29:27,240 He's opening tomorrow night at the Up Club. 1391 01:29:27,240 --> 01:29:28,600 Yeah, I know. 1392 01:29:28,600 --> 01:29:30,760 So he wanted us to come. 1393 01:29:30,760 --> 01:29:33,360 I said, you know, probably we will. 1394 01:29:33,360 --> 01:29:34,760 Oh, I'd love to. 1395 01:29:34,760 --> 01:29:36,440 Would you? Yeah. 1396 01:29:37,520 --> 01:29:39,560 Spend some time together. It'll be good. 1397 01:29:41,200 --> 01:29:43,360 See the fellas. Yeah. 1398 01:29:43,360 --> 01:29:45,360 You know how depressed Ellen's been lately? 1399 01:29:45,360 --> 01:29:48,240 You know, I thought maybe we could introduce her to Artie Kirks. 1400 01:29:49,280 --> 01:29:50,680 Artie Kirks? 1401 01:29:50,680 --> 01:29:53,600 Yeah. The record producer I told you about. 1402 01:29:53,600 --> 01:29:57,040 Now, look, baby, it's another thing if you want to go by yourself, 1403 01:29:57,040 --> 01:30:00,120 possibly you and Ellen, cos of business reasons, that's OK, 1404 01:30:00,120 --> 01:30:02,880 I don't object to that, and I could meet you later, that's all. 1405 01:30:04,640 --> 01:30:06,760 I didn't mean it like that. I'm sorry. 1406 01:30:06,760 --> 01:30:08,720 Is it OK? 1407 01:30:10,240 --> 01:30:13,320 Yeah, it's OK. Yeah. 1408 01:30:13,320 --> 01:30:15,720 Oh! Wait while I show you what I got. 1409 01:30:20,680 --> 01:30:21,840 Look at this. 1410 01:30:23,360 --> 01:30:24,800 Oh, honey... 1411 01:30:25,960 --> 01:30:28,200 ..you were looking at the words to the tune, huh? 1412 01:30:28,200 --> 01:30:29,600 Yeah, I was. 1413 01:30:34,520 --> 01:30:37,360 And that's what... You're going to call it New York? 1414 01:30:37,360 --> 01:30:38,880 New York? 1415 01:30:38,880 --> 01:30:40,680 Yeah, that's what I said, New York. 1416 01:30:40,680 --> 01:30:43,480 That's what you're going to call it? I thought since we met in New York, 1417 01:30:43,480 --> 01:30:44,680 we live in New York... 1418 01:30:45,840 --> 01:30:47,800 "My vagabond..." 1419 01:30:49,240 --> 01:30:50,600 Shoes. 1420 01:30:50,600 --> 01:30:54,080 "..shoes are longing to stray and step around the heart... 1421 01:30:55,400 --> 01:30:56,640 "..of it..." 1422 01:30:58,200 --> 01:30:59,480 New York, New York. 1423 01:31:02,000 --> 01:31:05,360 It's, uh, "top of the heap", too. SHE LAUGHS 1424 01:31:06,480 --> 01:31:07,960 And this is the final version? 1425 01:31:09,120 --> 01:31:12,800 Well, not necessarily. I want to fix up some parts. 1426 01:31:12,800 --> 01:31:14,160 It's very good. 1427 01:31:15,360 --> 01:31:17,600 OK, I'll see you later. All right. 1428 01:31:19,000 --> 01:31:21,520 Have a nice night. Thank you, baby, you too. 1429 01:31:24,040 --> 01:31:27,280 See you. I can change "top of the heap". 1430 01:31:30,160 --> 01:31:32,560 "Bernice Conrad and The Paul Wilson Orchestra." 1431 01:31:32,560 --> 01:31:35,000 Oh, man! What am I doing here? 1432 01:31:35,000 --> 01:31:36,760 Oh, come on, honey, you promised. 1433 01:31:38,520 --> 01:31:39,840 You know? 1434 01:31:44,720 --> 01:31:45,920 I can't do it. 1435 01:31:47,320 --> 01:31:49,040 I can't do it. I just, uh... 1436 01:31:50,200 --> 01:31:52,360 Well, we'll just stay for one set, all right? 1437 01:31:55,680 --> 01:31:56,880 All right? 1438 01:31:57,880 --> 01:31:59,800 All right. I'll park the car. OK. 1439 01:31:59,800 --> 01:32:02,520 Yeah, I'll park the car. Hmm. HE CHUCKLES 1440 01:32:06,400 --> 01:32:08,120 Oh... 1441 01:32:09,400 --> 01:32:11,160 I tell you, in her pocket. 1442 01:32:12,560 --> 01:32:15,200 MUSIC PLAYS IN BACKGROUND 1443 01:32:17,160 --> 01:32:20,640 # Do nothing till you hear from me 1444 01:32:20,640 --> 01:32:23,480 # Pay no attention to what's said... # 1445 01:32:23,480 --> 01:32:27,120 Ellen! Francine! Oh, you're looking wonderful! Darling. 1446 01:32:27,120 --> 01:32:31,480 Hello, Ellen, how are you? How's my girl? Thank you very much. 1447 01:32:31,480 --> 01:32:33,680 # Do nothing till you hear from me... # 1448 01:32:33,680 --> 01:32:37,840 Thank you. Jimmy will be here in a minute. He's parking the car. Hmm. 1449 01:32:37,840 --> 01:32:41,080 # If you should take the word of others you've heard 1450 01:32:41,080 --> 01:32:43,080 # Well, I haven't a chance 1451 01:32:45,160 --> 01:32:48,680 # True, I've been seen with someone new 1452 01:32:48,680 --> 01:32:50,800 # But does that mean 1453 01:32:50,800 --> 01:32:55,800 # That I'm untrue? When we're apart, the words in my heart 1454 01:32:55,800 --> 01:32:58,000 # Reveal how I feel about you 1455 01:32:58,000 --> 01:33:01,760 # Some kiss may cloud my memory... # 1456 01:33:01,760 --> 01:33:03,320 One, you miss. 1457 01:33:01,760 --> 01:33:03,320 SHE GIGGLES 1458 01:33:03,320 --> 01:33:06,240 Try it again, darling. That's hard. Two out of three. OK, OK. 1459 01:33:06,240 --> 01:33:09,520 You missed again! You didn't wait. I'll give you one more time. OK. 1460 01:33:09,520 --> 01:33:10,960 Are you ready? Yes. Ooh, you've got it. 1461 01:33:10,960 --> 01:33:12,800 I'll give you my personal cheque... OK. 1462 01:33:12,800 --> 01:33:14,600 ..but don't try to cash it. 1463 01:33:12,800 --> 01:33:14,600 THEY LAUGH 1464 01:33:19,600 --> 01:33:22,520 Yes, sir? Yeah, I was just parking the car. Doyle. 1465 01:33:22,520 --> 01:33:24,480 Oh, yes, Mr Doyle. Your lady friend's right over there. 1466 01:33:24,480 --> 01:33:27,680 Please follow me. Oh, that's not my lady friend, it's my wife. 1467 01:33:27,680 --> 01:33:31,040 Pardon me. That's all right. Don't let it happen again, OK? 1468 01:33:31,040 --> 01:33:32,280 I'm kidding. 1469 01:33:36,640 --> 01:33:40,520 Hello. Hello. Jimmy, this is Mr Kirks, from Decca Records. 1470 01:33:40,520 --> 01:33:44,960 And, uh, Mr Kirks, this is my husband, Jimmy. Sorry I'm late. 1471 01:33:44,960 --> 01:33:47,360 Better late than never. Yeah, well, I'm sorry I'm late. 1472 01:33:47,360 --> 01:33:50,560 It's hard parking a car in New York at this time of night. 1473 01:33:54,040 --> 01:33:56,240 How are you? 1474 01:33:56,240 --> 01:34:00,000 I'm doing just fine, Jimmy. How are you? I'm doing well. 1475 01:34:00,000 --> 01:34:02,360 How's Eddie? Eddie who? 1476 01:34:02,360 --> 01:34:04,800 HE SNIGGERS 1477 01:34:06,760 --> 01:34:09,440 "Eddie who?" I knew that was coming. 1478 01:34:09,440 --> 01:34:11,200 Looks like Eddie's out the window. 1479 01:34:12,280 --> 01:34:14,520 Di Muzio. 1480 01:34:14,520 --> 01:34:17,760 Waiter, dear. We ought to get together... Jimmy? 1481 01:34:17,760 --> 01:34:20,640 Jimmy? Yeah. That voice always gets 'em too. 1482 01:34:20,640 --> 01:34:23,440 You know, when I say "waiter, dear", with a heavy voice? 1483 01:34:23,440 --> 01:34:26,720 And the reason I call them "dear", otherwise, they spit in your drink. 1484 01:34:26,720 --> 01:34:28,640 You say "dear", they're nice to you. 1485 01:34:28,640 --> 01:34:31,360 I see. You get it? Any time you go into a joint, you know what I mean? 1486 01:34:34,640 --> 01:34:37,960 Call 'em "dear". Huh. Here's the waiter now. 1487 01:34:37,960 --> 01:34:41,680 Waiter, would you give this gentleman a Sloe Gin Fizz, 1488 01:34:41,680 --> 01:34:44,440 and step on it? Well, I don't want a Sloe Gin Fizz. I don't even know 1489 01:34:44,440 --> 01:34:47,520 what a Sloe Gin Fizz is... He doesn't want a Sloe Gin Fizz. 1490 01:34:47,520 --> 01:34:49,680 What do you want? I want you to be comfortable. You know what 1491 01:34:49,680 --> 01:34:51,440 I would like? Yeah, what would you like? I would like 1492 01:34:51,440 --> 01:34:55,160 a big glass of milk, with about 12 shots of Scotch in it. 1493 01:34:55,160 --> 01:34:57,200 Well, why don't you just get a fifth? 1494 01:34:57,200 --> 01:34:59,560 She said it. You got it. Reasonable? It's a good start. 1495 01:34:59,560 --> 01:35:01,640 Yeah, reasonable. A little ice? It's a bucket of ice. 1496 01:35:01,640 --> 01:35:03,120 Tell you what you do, waiter. 1497 01:35:03,120 --> 01:35:05,360 No, look at me. You got the order? 1498 01:35:05,360 --> 01:35:08,640 Yes, sir. OK, that's a quart of milk... No milk. No milk. 1499 01:35:08,640 --> 01:35:12,160 Milk isn't necessary, no. No milk? All right. Milk isn't necessary. 1500 01:35:12,160 --> 01:35:14,280 And give this lady a Pink Squirrel. 1501 01:35:14,280 --> 01:35:16,080 You got it? Repeat. Uh, let's see. 1502 01:35:16,080 --> 01:35:17,480 That's a Sloe Gin Fizz. 1503 01:35:17,480 --> 01:35:19,760 No, forget the Sloe Gin Fizz. No, I'll have that. 1504 01:35:19,760 --> 01:35:21,520 She'll have the Sloe Gin Fizz. 1505 01:35:21,520 --> 01:35:24,840 Sloe Gin Fizz is on again. Uh, that is a Sloe Gin Fizz... 1506 01:35:24,840 --> 01:35:28,880 You're smart. Come on. That's a Sloe Gin Fizz... A Sloe Gin Fizz. 1507 01:35:28,880 --> 01:35:31,760 ..a quart of milk... No, I said forget the milk. 1508 01:35:31,760 --> 01:35:34,240 Sloe Gin Fizz. Quart of Scotch. Quart of Scotch. 1509 01:35:34,240 --> 01:35:36,800 Right. A bucket of ice. And a bucket of ice. Right. 1510 01:35:36,800 --> 01:35:39,960 And you, sir? No, zip for me. Thank you. Yes, sir. 1511 01:35:49,120 --> 01:35:52,200 Hey, Jimmy, a minute, can I grab your ears? 1512 01:35:52,200 --> 01:35:54,800 Listen, I heard a lot of nice things about you. 1513 01:35:55,920 --> 01:35:57,560 Your wife tells me when you had the band, 1514 01:35:57,560 --> 01:36:00,080 you used to blow the roof off. Look, man, 1515 01:36:00,080 --> 01:36:02,800 can I tell you something? I'll be straight with you. 1516 01:36:02,800 --> 01:36:05,680 I want you to be. I don't want to be here. I don't want to listen to 1517 01:36:05,680 --> 01:36:08,320 this music. I don't like this joint. I don't give a damn, man, 1518 01:36:08,320 --> 01:36:10,760 for any of that stuff. Let's go. Come on. Hold it, Jimmy, 1519 01:36:10,760 --> 01:36:13,200 for a second. If nothing else, we can get a tan here. 1520 01:36:13,200 --> 01:36:14,960 Come on, let's go. The whole place stinks. 1521 01:36:14,960 --> 01:36:16,920 Let's go. You're hurting me. 1522 01:36:16,920 --> 01:36:19,000 I'm sorry if I'm hurting you. If you came with me, 1523 01:36:19,000 --> 01:36:22,480 I wouldn't have to hurt you. Let's go. Jimmy, you got to relax, man. 1524 01:36:22,480 --> 01:36:24,280 Come on. No! 1525 01:36:24,280 --> 01:36:26,560 No. 1526 01:36:26,560 --> 01:36:28,560 I don't want to go, all right? You want to stay? 1527 01:36:29,720 --> 01:36:31,440 Somebody will take me home. 1528 01:36:32,480 --> 01:36:34,280 I can get a ride home. 1529 01:36:35,880 --> 01:36:38,600 # So love me tonight 1530 01:36:38,600 --> 01:36:41,720 # Tomorrow was made for some... # 1531 01:36:41,720 --> 01:36:46,720 What's the matter with him? # Tomorrow may never come 1532 01:36:46,720 --> 01:36:49,480 # For all we know. # 1533 01:36:49,480 --> 01:36:51,280 Forget about it, darling. 1534 01:36:51,280 --> 01:36:53,520 A few hours from now, it's all forgotten about. 1535 01:36:53,520 --> 01:36:55,880 You'll be home... 1536 01:36:53,520 --> 01:36:55,880 APPLAUSE 1537 01:36:55,880 --> 01:36:57,880 Thank you, ladies and gentlemen. We're going to take a short 1538 01:36:57,880 --> 01:37:00,240 intermission here, and the band will be back. Thank you. 1539 01:37:05,120 --> 01:37:06,560 Everything all right? 1540 01:37:08,040 --> 01:37:09,440 Yeah. 1541 01:37:13,680 --> 01:37:15,800 So, uh, Jimmy finally got here, huh? 1542 01:37:23,280 --> 01:37:25,240 INDISTINCT CHATTER 1543 01:37:33,160 --> 01:37:36,160 Jimmy. Hey, Paul. How are you doing? 1544 01:37:36,160 --> 01:37:37,680 Give me your hand. 1545 01:37:37,680 --> 01:37:40,040 Come on, reach out. Reach out, reach out. 1546 01:37:42,960 --> 01:37:44,160 Come on, Jimmy. 1547 01:37:46,120 --> 01:37:50,360 You all right? Can I tell you something very privately? Yeah. 1548 01:37:50,360 --> 01:37:52,160 Do you mind if I touch you like that? 1549 01:37:54,440 --> 01:37:56,160 I'm jealous. 1550 01:37:56,160 --> 01:37:59,080 I think you're so good that I can't even top you. 1551 01:38:00,720 --> 01:38:02,120 Well, I'm really flattered. 1552 01:38:02,120 --> 01:38:04,760 Well, you should be flattered. Definitely be flattered. 1553 01:38:04,760 --> 01:38:08,520 Great compliment for a great musician. From a great person. 1554 01:38:08,520 --> 01:38:10,760 Everybody feels you're great. 1555 01:38:10,760 --> 01:38:12,240 Even your wife. 1556 01:38:15,440 --> 01:38:16,880 Even your wife, man. 1557 01:38:21,360 --> 01:38:23,320 HE MUTTERS 1558 01:38:25,680 --> 01:38:28,080 INDISTINCT CHATTER 1559 01:38:28,080 --> 01:38:29,560 Let's get moving. 1560 01:39:07,680 --> 01:39:09,880 Uh, ladies and gentlemen, the band is back now. 1561 01:39:11,080 --> 01:39:13,280 Uh, we're going to start out with... LOUD CLATTER 1562 01:39:15,200 --> 01:39:17,680 We're going to start out with a medley of special requests. 1563 01:39:20,480 --> 01:39:22,600 I knew it was a one-night stand. She needed somebody. 1564 01:39:22,600 --> 01:39:24,840 GASPING 1565 01:39:24,840 --> 01:39:26,840 Hey! Hey, come on! 1566 01:39:26,840 --> 01:39:28,360 Let's go, let's go, guys. 1567 01:39:29,880 --> 01:39:32,280 Wipe us out. 1568 01:39:35,600 --> 01:39:38,240 Wipe us out. Wipe us out. 1569 01:39:46,960 --> 01:39:48,600 Please. 1570 01:39:53,160 --> 01:39:55,280 Have a good night. OK. 1571 01:40:00,760 --> 01:40:03,360 Listen, man, I just want to say one thing to my wife over there. 1572 01:40:03,360 --> 01:40:05,320 My wife is over there. I realise that. 1573 01:40:05,320 --> 01:40:07,480 That's my wife over there. Don't make me use force, 1574 01:40:07,480 --> 01:40:09,920 please. Force? Yes. OK. OK. 1575 01:40:09,920 --> 01:40:12,640 Hey, man... 1576 01:40:09,920 --> 01:40:12,640 GASPING 1577 01:40:15,720 --> 01:40:17,360 Get your hands off me, man! 1578 01:40:17,360 --> 01:40:19,240 LOUD CLATTER 1579 01:40:21,520 --> 01:40:22,880 OK. 1580 01:40:25,000 --> 01:40:28,040 Please! Get up! 1581 01:40:28,040 --> 01:40:29,920 LOUD SMASHING 1582 01:40:29,920 --> 01:40:35,960 INDISTINCT SPEECH 1583 01:40:41,840 --> 01:40:44,040 Come on, come on. OK. 1584 01:40:44,040 --> 01:40:48,080 OK. Just relax. Don't you guys know how to talk? 1585 01:40:48,080 --> 01:40:50,120 Just relax. Yeah, just relax. It's all right. 1586 01:40:50,120 --> 01:40:52,520 You need to take it up the block. Yeah. 1587 01:40:52,520 --> 01:40:54,360 ANGRY SCUFFLE 1588 01:40:59,440 --> 01:41:03,200 SLOW JAZZ MUSIC PLAYS 1589 01:41:35,120 --> 01:41:37,760 Honey, I told you, everything's fine. The baby's normal. 1590 01:41:37,760 --> 01:41:39,440 I think I gained too much weight, though. 1591 01:41:44,520 --> 01:41:45,840 Oh, Jimmy! 1592 01:41:51,240 --> 01:41:53,160 Thank you. 1593 01:41:53,160 --> 01:41:56,360 Aah! Oh! Oh! Are you all right, honey? Yeah, I'm all right. 1594 01:42:01,440 --> 01:42:03,640 Oh, Jimmy! 1595 01:42:03,640 --> 01:42:05,120 They're beautiful. 1596 01:42:05,120 --> 01:42:08,160 I'm sorry you slammed your hand in the door. That's all right, it's OK. 1597 01:42:08,160 --> 01:42:09,560 It's just part of the, you know... 1598 01:42:09,560 --> 01:42:11,600 I'm really sorry about last night. 1599 01:42:15,320 --> 01:42:17,440 I don't know, I was trying to figure it out. I... 1600 01:42:19,200 --> 01:42:20,640 I'm sorry. 1601 01:42:26,080 --> 01:42:27,960 I'm sorry. I'm sorry too. 1602 01:42:33,240 --> 01:42:37,520 JAZZ GUITAR PLAYS ON RECORD PLAYER 1603 01:44:45,560 --> 01:44:47,040 HE KNOCKS ON DOOR 1604 01:44:45,560 --> 01:44:47,040 Jimmy? 1605 01:44:47,040 --> 01:44:48,440 Yeah? Cecil. 1606 01:44:48,440 --> 01:44:50,320 Cecil who? Come on, man! 1607 01:44:50,320 --> 01:44:51,640 Cecil B DeMille! 1608 01:44:53,960 --> 01:44:56,040 INDISTINCT CHATTER 1609 01:44:57,520 --> 01:45:02,040 I got your lady out here, man, this is serious... Come on, man! 1610 01:45:02,040 --> 01:45:04,440 She's got two cats with her, man. 1611 01:45:04,440 --> 01:45:06,440 Can't you see we're having a conference in here? Hey, man, 1612 01:45:06,440 --> 01:45:09,640 your lady's out there with two cats. My lady? Right outside there. 1613 01:45:09,640 --> 01:45:12,520 I'll be right back. Hey. 1614 01:45:12,520 --> 01:45:14,040 Come on in. 1615 01:45:18,880 --> 01:45:21,720 A record deal or something? Well, yeah. 1616 01:45:21,720 --> 01:45:24,640 I wanted you to meet him before I did anything, you know? 1617 01:45:26,280 --> 01:45:28,640 Yeah, sure. All right. OK. 1618 01:45:28,640 --> 01:45:30,560 Now, why'd you bring him here? 1619 01:45:30,560 --> 01:45:33,640 Well, like I told you, I couldn't reach you on the phone. 1620 01:45:33,640 --> 01:45:35,480 He's got to leave tomorrow. 1621 01:45:38,520 --> 01:45:40,680 Oh. Well, I... 1622 01:45:41,680 --> 01:45:43,040 Have a seat. Thanks. 1623 01:45:44,080 --> 01:45:46,640 Are you on a break? No, not really, but I got a few minutes. 1624 01:45:46,640 --> 01:45:50,120 Good, we can talk, then. Have a seat. Sure. Uh, Jimmy, 1625 01:45:50,120 --> 01:45:52,760 you remember Artie Kirks, Decca Records? Decca Records, 1626 01:45:52,760 --> 01:45:54,200 I know the label very well. 1627 01:45:54,200 --> 01:45:55,760 He wants to sign her. 1628 01:45:55,760 --> 01:45:57,000 What? 1629 01:45:57,000 --> 01:45:58,280 He wants to sign her. 1630 01:45:59,640 --> 01:46:03,200 To where? On a label. To a record contract. 1631 01:46:03,200 --> 01:46:05,640 Oh, yeah? Oh, that's great. 1632 01:46:05,640 --> 01:46:07,360 That's great. Great, great. 1633 01:46:07,360 --> 01:46:10,320 You think so? Sure, sure, sure. It's great. 1634 01:46:10,320 --> 01:46:13,720 Well, uh, one of the reasons that I wanted us all to meet tonight 1635 01:46:13,720 --> 01:46:17,440 was so I could ask you... Excuse me. ..if you approved of everything. 1636 01:46:17,440 --> 01:46:20,520 Listen, if there's any problems, that's what I'm here for. 1637 01:46:20,520 --> 01:46:22,600 I want to solve them. I never said there was any problem. 1638 01:46:22,600 --> 01:46:24,800 There's no problem we can't work out. Everything's fine. 1639 01:46:24,800 --> 01:46:27,600 Then everything's fine. No, not everything isn't quite fine. 1640 01:46:27,600 --> 01:46:29,480 I would like to know what we're all talking about. 1641 01:46:29,480 --> 01:46:32,280 Right. You mean the deal? Yeah, exactly. 1642 01:46:32,280 --> 01:46:35,200 It's logical. As a matter of fact, when I heard her, I said, 1643 01:46:35,200 --> 01:46:39,840 "That's it. Absolutely sensational. This is it. Fantastic. A smash." 1644 01:46:39,840 --> 01:46:42,440 And I'm telling you, from my mouth, 1645 01:46:42,440 --> 01:46:44,960 this is it. And this isn't just for one shot. 1646 01:46:44,960 --> 01:46:47,920 There's a couple of things I really, I'm not really comfortable with, 1647 01:46:47,920 --> 01:46:49,320 and one is the travelling. 1648 01:46:49,320 --> 01:46:53,000 The promotional tour, promoting... Is that a problem? 1649 01:46:53,000 --> 01:46:55,640 I don't know if I want to travel. You've got to travel? That's not... 1650 01:46:55,640 --> 01:46:58,240 What about the baby and all that? Yeah, exactly. 1651 01:46:58,240 --> 01:47:01,360 There's nothing we can't handle. There's no problem come up that 1652 01:47:01,360 --> 01:47:04,520 we can't solve. Let's hear what they have to say. Sure, but I'm just 1653 01:47:04,520 --> 01:47:06,600 emphasising your statement. All right. OK? 1654 01:47:06,600 --> 01:47:08,160 Like putting in an exclamation mark. 1655 01:47:08,160 --> 01:47:10,600 Very good. Very good, Tony. Go ahead, darling. 1656 01:47:10,600 --> 01:47:12,960 What about the kid? The baby. Oh, the baby? 1657 01:47:12,960 --> 01:47:15,840 Listen, you're going to get it first-class. Number one, 1658 01:47:15,840 --> 01:47:17,600 I'm going to get you the best nurse. 1659 01:47:17,600 --> 01:47:21,160 I'll get you a car. I'll treat the kid like it's my own kid. 1660 01:47:21,160 --> 01:47:22,600 All you got to do is sing. 1661 01:47:22,600 --> 01:47:24,800 Everything will be in the contract. Please... They'll pay for 1662 01:47:24,800 --> 01:47:27,000 everything. ..Yeah, but I'm just emphasising what you just said. 1663 01:47:27,000 --> 01:47:29,320 All right. I know, you emphasised twice already. They know. 1664 01:47:29,320 --> 01:47:30,680 Is it all right with you? 1665 01:47:35,240 --> 01:47:37,160 Sure. I mean, it sounds great. 1666 01:47:37,160 --> 01:47:39,800 I can't argue with it. It sounds good. 1667 01:47:39,800 --> 01:47:41,640 It's up to her. And everything's all right? 1668 01:47:41,640 --> 01:47:44,400 Everything's all right. Everything all right with you? 1669 01:47:44,400 --> 01:47:47,080 Yeah, but I thought you'd have... Then everything all right? 1670 01:47:48,400 --> 01:47:50,080 It's all right with me if it's all right with you, 1671 01:47:50,080 --> 01:47:51,960 if it's all right with him. It's great with you. Sure. 1672 01:47:51,960 --> 01:47:54,360 It's great with them. It's great with you and great with you? 1673 01:47:54,360 --> 01:47:57,440 Do you have any other suggestions? No, I have no suggestions, baby. 1674 01:47:57,440 --> 01:47:59,160 That's it. Excuse me, I just got to do something. 1675 01:47:59,160 --> 01:48:01,240 I think the set's going to start soon. I'll be back in a second. 1676 01:48:01,240 --> 01:48:04,440 Jimmy? Yeah. Before you go, 1677 01:48:04,440 --> 01:48:06,360 have you got a cigarette on you? A cigarette? 1678 01:48:06,360 --> 01:48:08,440 See, man, I just smoked my last one. 1679 01:48:08,440 --> 01:48:11,720 I'm sorry. It's a thing I do for...for luck. 1680 01:48:11,720 --> 01:48:13,800 Oh, yeah? Yeah. Oh, well, look, you know, get the waiter. 1681 01:48:13,800 --> 01:48:15,280 He'll give you a whole pack. Put it on my tab. 1682 01:48:15,280 --> 01:48:16,800 We'll celebrate, you know, the contract? 1683 01:48:16,800 --> 01:48:19,520 Have a cigar. No, it's not the same. 1684 01:48:19,520 --> 01:48:20,640 Jimmy? 1685 01:48:21,800 --> 01:48:25,200 Oh, excuse me. Listen, Jimmy, I just think that she's the best. 1686 01:48:25,200 --> 01:48:27,160 She's going to make it with me or without me. 1687 01:48:27,160 --> 01:48:29,040 I'd rather it be with me. 1688 01:48:29,040 --> 01:48:30,960 I'll consult everything. 1689 01:48:30,960 --> 01:48:33,960 Come up to the office. Feel free. My door is always open. 1690 01:48:33,960 --> 01:48:35,840 OK, sure. Is that OK with you? Yeah. We got a deal, 1691 01:48:35,840 --> 01:48:38,240 you feel comfortable about it? Sure. Oh, yeah. All right. 1692 01:48:38,240 --> 01:48:39,760 Don't forget it now, Jimmy. 1693 01:48:41,080 --> 01:48:42,240 LOUD CLINKING 1694 01:48:43,320 --> 01:48:46,480 ANIMATED CHATTER AND LAUGHTER 1695 01:48:57,320 --> 01:48:58,960 Family night? 1696 01:48:58,960 --> 01:49:00,480 Come here. Ah... 1697 01:49:02,440 --> 01:49:05,080 BAND STARTS UP 1698 01:49:08,600 --> 01:49:10,800 # Every honey bee 1699 01:49:10,800 --> 01:49:13,240 # Fills with jealousy 1700 01:49:13,240 --> 01:49:16,280 # When they see you out with me 1701 01:49:16,280 --> 01:49:18,120 # I don't blame them 1702 01:49:18,120 --> 01:49:21,560 # Goodness knows... # MUSIC DROWNS OUT CONVERSATION 1703 01:49:21,560 --> 01:49:25,080 # Honeysuckle rose 1704 01:49:26,640 --> 01:49:30,000 # When you're passin' by 1705 01:49:30,000 --> 01:49:32,440 # Flowers droop and sigh 1706 01:49:32,440 --> 01:49:35,920 # And I know the reason why 1707 01:49:35,920 --> 01:49:37,480 # You're much sweeter 1708 01:49:37,480 --> 01:49:39,800 # Goodness knows 1709 01:49:40,920 --> 01:49:44,320 # Honeysuckle rose 1710 01:49:45,520 --> 01:49:52,000 # Ooh, don't buy sugar 1711 01:49:52,000 --> 01:49:56,760 # You just have to touch my cup 1712 01:49:56,760 --> 01:50:01,880 # You're my sugar 1713 01:50:01,880 --> 01:50:06,360 # It's sweet when you stir it up 1714 01:50:06,360 --> 01:50:08,520 # When I'm taking sips 1715 01:50:08,520 --> 01:50:11,160 # From your tasty lips 1716 01:50:11,160 --> 01:50:14,400 # Seems the honey fairly drips 1717 01:50:14,400 --> 01:50:19,640 # You're confection, goodness knows 1718 01:50:19,640 --> 01:50:22,800 # Honeysuckle rose... # 1719 01:50:48,480 --> 01:50:50,720 Yeah, this looks better, thank you. 1720 01:50:50,720 --> 01:50:54,760 This looks thick and sweet. You know? 1721 01:50:56,080 --> 01:50:57,440 You got any other colours? 1722 01:50:57,440 --> 01:50:59,960 Well, we've got one with a whole lot of colours. 1723 01:51:01,080 --> 01:51:02,320 I'll try it on. OK. 1724 01:51:02,320 --> 01:51:06,240 CHATTER DROWNED OUT BY MUSIC 1725 01:51:08,640 --> 01:51:09,920 I gave him a sign... 1726 01:51:13,200 --> 01:51:19,120 # I don't buy sugar 1727 01:51:19,120 --> 01:51:22,720 # You just have to touch my cup 1728 01:51:23,680 --> 01:51:28,680 # You're my sugar 1729 01:51:28,680 --> 01:51:33,360 # It's sweet when you stir it up 1730 01:51:33,360 --> 01:51:38,320 # When I'm taking sips from your tasty lips 1731 01:51:38,320 --> 01:51:41,360 # Seems the honey fairly drips 1732 01:51:41,360 --> 01:51:45,840 # You're confection, goodness knows 1733 01:51:46,880 --> 01:51:51,480 # Honeysuckle rose. # 1734 01:51:51,480 --> 01:51:53,680 Yeah! 1735 01:51:51,480 --> 01:51:53,680 APPLAUSE 1736 01:51:53,680 --> 01:51:54,840 Thank you. 1737 01:51:56,960 --> 01:52:00,640 ANIMATED CHATTER IN BACKGROUND 1738 01:52:08,000 --> 01:52:11,600 BAND STRIKES UP AGAIN 1739 01:52:11,600 --> 01:52:14,240 CLAPPING IN TIME WITH MUSIC 1740 01:52:54,680 --> 01:52:58,000 HE PLAYS UPBEAT TUNE 1741 01:52:58,000 --> 01:52:59,240 Yeah! 1742 01:54:46,920 --> 01:54:49,880 TYRES SCREECH 1743 01:54:49,880 --> 01:54:51,040 What the hell are you doing? 1744 01:54:51,040 --> 01:54:52,520 What the hell are you doing?! 1745 01:54:53,920 --> 01:54:56,000 I was celebrating. You almost killed us. 1746 01:55:02,560 --> 01:55:05,560 What was that all about? I was just celebrating! You're celebrating? 1747 01:55:05,560 --> 01:55:07,320 Look at you. You look disgusting! 1748 01:55:09,080 --> 01:55:10,560 What do you want me to do about it, Jimmy? 1749 01:55:10,560 --> 01:55:12,320 What am I supposed to do? What am I supposed to do? 1750 01:55:16,080 --> 01:55:18,600 Did I tell you to have that baby?! SHE SOBS 1751 01:55:18,600 --> 01:55:22,320 Did I tell you to have that goddamn baby?! 1752 01:55:22,320 --> 01:55:25,840 No, I didn't tell you, you had it! Now you have it, now keep it! 1753 01:55:27,920 --> 01:55:30,240 That's it. Go on, keep hitting me. That's right. No! 1754 01:55:30,240 --> 01:55:32,040 Go ahead, hit me. That's right. 1755 01:55:32,040 --> 01:55:33,320 You had it! 1756 01:55:35,040 --> 01:55:37,760 Now you're crying when it gets tough? Oh, be quiet! 1757 01:55:37,760 --> 01:55:39,360 When it gets tough, you cry? 1758 01:55:39,360 --> 01:55:41,360 SHE SOBS 1759 01:55:45,640 --> 01:55:47,160 Forget it. 1760 01:55:47,160 --> 01:55:49,960 I'm not going through this any more. OK, you said it! 1761 01:55:49,960 --> 01:55:53,680 You want that! It's not what I want, it's the way it is. 1762 01:55:53,680 --> 01:55:58,280 It is too what you want! It is not what I want. I'm scared! 1763 01:55:58,280 --> 01:56:00,800 TYRES SCREECH 1764 01:55:58,280 --> 01:56:00,800 You're scared? 1765 01:56:00,800 --> 01:56:04,560 You're scared?! What about me, for Christ's sakes?! 1766 01:56:04,560 --> 01:56:07,360 What are you scared about? You've got everything, man. 1767 01:56:07,360 --> 01:56:11,920 I'm the one that's scared, not you. Me, I'm scared, cos you got it easy. 1768 01:56:11,920 --> 01:56:13,240 I got nothing. 1769 01:56:14,600 --> 01:56:15,880 It's always you, isn't it? 1770 01:56:15,880 --> 01:56:18,160 You're damn right, it's always me. It's always you. The way it's you, 1771 01:56:18,160 --> 01:56:21,520 the way you had the kid when we shouldn't have had a kid. 1772 01:56:21,520 --> 01:56:23,240 Going back to New York. 1773 01:56:23,240 --> 01:56:25,280 What are you crying for? You know, I don't... 1774 01:56:25,280 --> 01:56:27,480 Cry! You... "Oh!" ..cry. 1775 01:56:27,480 --> 01:56:29,880 I do care about you. You do not. I do care about you. 1776 01:56:29,880 --> 01:56:33,080 You do not! I do! Do you want to know what you care about? 1777 01:56:33,080 --> 01:56:35,120 I care about you. You care about your clubs... 1778 01:56:35,120 --> 01:56:37,320 I care about you. ..and your friends... 1779 01:56:37,320 --> 01:56:40,520 I care about you. ..and your music. You're damn right, 1780 01:56:40,520 --> 01:56:42,360 because that's something special in me! 1781 01:56:42,360 --> 01:56:44,720 That's what the problem is. I don't care. You don't care about me! 1782 01:56:44,720 --> 01:56:47,760 No, I do care. No, you don't! That's not the problem. I do care. 1783 01:56:47,760 --> 01:56:50,440 You don't care! I do care! You do not care! I do care. 1784 01:56:50,440 --> 01:56:53,880 You don't care! Crazy. Driving me crazy. 1785 01:56:53,880 --> 01:56:57,320 All you care about is you! You're driving me crazy! 1786 01:56:57,320 --> 01:56:59,880 Let me get at you. Let me get you. Let me get at you. 1787 01:56:59,880 --> 01:57:02,560 HORNS BLARE You want to hit me? I'll hit you. 1788 01:57:02,560 --> 01:57:04,120 Don't you ever hit me! 1789 01:57:04,120 --> 01:57:08,960 Don't you ever hit me! I don't care? Now I'll get you. 1790 01:57:08,960 --> 01:57:13,200 Damn it! 1791 01:57:08,960 --> 01:57:13,200 SHE SOBS 1792 01:57:13,200 --> 01:57:15,240 Jimmy, Jimmy... 1793 01:57:15,240 --> 01:57:16,960 Agh! Agh! 1794 01:57:16,960 --> 01:57:19,560 Jimmy! What? Jimmy! 1795 01:57:19,560 --> 01:57:22,440 What's the matter? The baby! What's the matter? The baby, Jimmy! 1796 01:57:22,440 --> 01:57:24,640 The baby! All right, take it easy. Oh, Jimmy, I'm scared. 1797 01:57:24,640 --> 01:57:27,840 I'm scared! Hold me. All right. I'll get us to a hospital. 1798 01:57:27,840 --> 01:57:30,280 Just lie down. Take it easy. Oh, my God! Take it easy. All right. 1799 01:57:30,280 --> 01:57:32,800 Oh! Oh, where the hell's a cop? 1800 01:57:32,800 --> 01:57:35,000 When you look for one, you never find one. Oh! 1801 01:57:36,440 --> 01:57:39,200 Oh, God! Oh, no! Oh, no! Oh, no, no! No! 1802 01:57:42,200 --> 01:57:44,640 Don't worry, honey, you'll be all right. Just take it easy. 1803 01:57:44,640 --> 01:57:45,880 Don't get excited. 1804 01:57:57,880 --> 01:57:59,120 How you doing? 1805 01:58:15,680 --> 01:58:18,120 Is everything all right? 1806 01:58:18,120 --> 01:58:19,400 Yeah. 1807 01:58:22,000 --> 01:58:23,240 All right. 1808 01:58:26,800 --> 01:58:28,080 Did you see him? 1809 01:58:29,840 --> 01:58:31,160 Who? 1810 01:58:33,040 --> 01:58:35,360 The baby. Oh, the baby. 1811 01:58:35,360 --> 01:58:36,600 It's a him? 1812 01:58:37,800 --> 01:58:41,480 Well, yeah. 1813 01:58:48,200 --> 01:58:49,720 I named him Jimmy. 1814 01:58:59,720 --> 01:59:01,120 You named him Jimmy? 1815 01:59:03,520 --> 01:59:05,680 What do you mean, you named him Jimmy? You mean this is official, 1816 01:59:05,680 --> 01:59:08,560 you named him Jimmy, yeah? Yeah. 1817 01:59:13,840 --> 01:59:17,040 There's one thing I want to tell you that you're wrong for doing. 1818 01:59:17,040 --> 01:59:19,480 You should have let me decide on what the name was with you, 1819 01:59:19,480 --> 01:59:21,440 instead of just giving the kid a name right away. 1820 01:59:21,440 --> 01:59:23,160 I mean, I am the father. And if I am the father, 1821 01:59:23,160 --> 01:59:26,040 no matter what the situation, you should at least let me do that. 1822 01:59:26,040 --> 01:59:28,600 That's the... That's the least that you can let me do. 1823 01:59:28,600 --> 01:59:31,720 HE WHISPERS: And maybe I don't want to see the kid for that reason. 1824 01:59:38,040 --> 01:59:40,720 What, do you think you're going to make me feel guilty about it? 1825 01:59:40,720 --> 01:59:43,000 Give that name, let that kid run around. After everything 1826 01:59:43,000 --> 01:59:46,240 that's happened to us, you had to give the kid the name Jimmy? 1827 01:59:46,240 --> 01:59:47,520 No way. 1828 01:59:50,960 --> 01:59:53,080 HE WHISPERS: I don't want to see the kid, because if I see the kid, 1829 01:59:53,080 --> 01:59:54,400 I'm going to break up. 1830 01:59:55,640 --> 01:59:58,480 I don't want to see some mutt. What good is it to see the kid? 1831 01:59:59,840 --> 02:00:01,280 This lady is listening. 1832 02:00:05,040 --> 02:00:08,720 How can I see the kid? What am I going to say to it? 1833 02:00:08,720 --> 02:00:10,480 "Hi, I'm your father, I'm going away"? 1834 02:00:13,440 --> 02:00:16,720 What are you going to say? I can't say anything. I'm sorry. 1835 02:00:23,640 --> 02:00:24,920 I'm sorry too. 1836 02:00:53,280 --> 02:00:54,520 Jimmy? Yeah. 1837 02:00:56,200 --> 02:00:58,360 I don't want to use my handkerchief, it's the only one that I have. 1838 02:00:58,360 --> 02:00:59,600 That's why. 1839 02:01:05,080 --> 02:01:07,600 There's no way that's going to... 1840 02:01:07,600 --> 02:01:08,920 I love you... 1841 02:01:10,520 --> 02:01:12,800 ..but it's not... 1842 02:01:12,800 --> 02:01:16,480 All right, I'm just going to go. 1843 02:01:18,360 --> 02:01:21,040 Jimmy? Jimmy? 1844 02:01:23,920 --> 02:01:27,520 Goodbye. Goodbye, baby. 1845 02:01:30,040 --> 02:01:32,960 Goodbye. I'm sorry. I love you. 1846 02:01:36,800 --> 02:01:38,440 Goodbye. Goodbye. 1847 02:01:40,000 --> 02:01:41,240 No fuss. 1848 02:02:07,400 --> 02:02:09,560 Mr Doyle, I can take you over to see your baby now, 1849 02:02:09,560 --> 02:02:12,760 if you'd like. Thank you. I think I'll see him later, thank you. 1850 02:02:20,720 --> 02:02:27,520 # Round and round and round and round and round 1851 02:02:27,520 --> 02:02:30,120 # The world goes round 1852 02:02:30,120 --> 02:02:36,640 # And round and round and round... # 1853 02:02:36,640 --> 02:02:38,840 Oh, I'm sorry. Can I do it again? I'm sorry. 1854 02:02:48,400 --> 02:02:51,040 OK, here we go. Stand by. Take 18. 1855 02:02:53,920 --> 02:02:56,680 PIANO PLAYS 1856 02:03:05,680 --> 02:03:08,920 # Sometimes, you're happy 1857 02:03:08,920 --> 02:03:11,880 # And sometimes, you're sad 1858 02:03:11,880 --> 02:03:18,000 # But the world goes round 1859 02:03:18,000 --> 02:03:25,120 # And sometimes, you lose every nickel you've had 1860 02:03:25,120 --> 02:03:31,120 # But the world goes round 1861 02:03:31,120 --> 02:03:36,720 # Sometimes, your dreams get broken in pieces 1862 02:03:36,720 --> 02:03:43,120 # But that doesn't alter a thing 1863 02:03:43,120 --> 02:03:46,000 # Take it from me 1864 02:03:46,000 --> 02:03:48,960 # There's still going to be 1865 02:03:48,960 --> 02:03:52,200 # A summer, a winter 1866 02:03:52,200 --> 02:03:55,080 # A fall and a spring 1867 02:03:55,080 --> 02:03:59,480 # And sometimes, a friend 1868 02:03:59,480 --> 02:04:02,880 # Starts treating you bad 1869 02:04:02,880 --> 02:04:08,160 # But the world goes round 1870 02:04:08,160 --> 02:04:12,480 # And sometimes, your heart breaks 1871 02:04:12,480 --> 02:04:14,720 # With a deafening 1872 02:04:14,720 --> 02:04:20,680 # Sound 1873 02:04:20,680 --> 02:04:26,600 # Somebody loses, somebody wins 1874 02:04:26,600 --> 02:04:28,600 # One day, it's kicks 1875 02:04:28,600 --> 02:04:32,160 # Then it's kicks in the shins 1876 02:04:32,160 --> 02:04:35,120 # But the planet spins 1877 02:04:35,120 --> 02:04:39,320 # And the world goes round 1878 02:04:45,800 --> 02:04:50,360 # But the world goes round 1879 02:04:58,360 --> 02:05:04,000 # But the world goes round 1880 02:05:04,000 --> 02:05:09,360 # Sometimes, your dreams get broken in pieces 1881 02:05:09,360 --> 02:05:15,800 # But that doesn't matter at all 1882 02:05:15,800 --> 02:05:18,640 # Take it from me 1883 02:05:18,640 --> 02:05:21,680 # There's still going to be 1884 02:05:21,680 --> 02:05:24,720 # A summer, a winter 1885 02:05:24,720 --> 02:05:26,840 # A spring 1886 02:05:26,840 --> 02:05:33,800 # And a fall 1887 02:05:33,800 --> 02:05:36,800 # And sometimes, a friend 1888 02:05:36,800 --> 02:05:39,480 # Starts treating you bad 1889 02:05:39,480 --> 02:05:45,400 # But the world goes round 1890 02:05:45,400 --> 02:05:49,840 # And sometimes, your heart breaks 1891 02:05:49,840 --> 02:05:57,360 # With a deafening sound 1892 02:05:57,360 --> 02:06:00,160 # Somebody loses 1893 02:06:00,160 --> 02:06:03,200 # And somebody wins 1894 02:06:03,200 --> 02:06:05,440 # Then one day, it's kicks 1895 02:06:05,440 --> 02:06:08,880 # Then it's kicks in the shins 1896 02:06:08,880 --> 02:06:11,640 # But the planet spins 1897 02:06:11,640 --> 02:06:14,840 # And the world goes round 1898 02:06:14,840 --> 02:06:20,600 # And round and round and round and round 1899 02:06:20,600 --> 02:06:25,640 # The world goes round and round and round 1900 02:06:25,640 --> 02:06:33,600 # And...round! # 1901 02:06:33,600 --> 02:06:37,600 SHE HOLDS NOTE 1902 02:07:00,880 --> 02:07:02,800 Just a minute. Please hold the photograph. 1903 02:07:02,800 --> 02:07:04,120 She's very, very nervous. 1904 02:07:35,360 --> 02:07:39,600 # Happy endings all around me 1905 02:07:39,600 --> 02:07:41,760 # Happy endings 1906 02:07:41,760 --> 02:07:46,040 # All I see are happy endings 1907 02:07:46,040 --> 02:07:50,640 # On a silver screen 1908 02:07:50,640 --> 02:07:54,880 # That's Hollywood! 1909 02:07:54,880 --> 02:07:57,040 # Lovely lady 1910 02:07:57,040 --> 02:07:58,840 # Gallant fellow 1911 02:07:58,840 --> 02:08:00,960 # Meet one evening 1912 02:08:00,960 --> 02:08:03,200 # Hear that cello 1913 02:08:03,200 --> 02:08:07,040 # Troubles come between 1914 02:08:07,040 --> 02:08:11,680 # But in that final scene 1915 02:08:11,680 --> 02:08:14,440 # Count on a 1916 02:08:14,440 --> 02:08:16,680 # Happy ending 1917 02:08:16,680 --> 02:08:18,840 # By a river 1918 02:08:18,840 --> 02:08:21,040 # Happy ending 1919 02:08:21,040 --> 02:08:23,080 # On a mountain 1920 02:08:23,080 --> 02:08:25,440 # Happy ending 1921 02:08:25,440 --> 02:08:29,600 # In a Broadway show 1922 02:08:29,600 --> 02:08:32,800 # But, oh 1923 02:08:32,800 --> 02:08:38,080 # The life I lead is less dramatic 1924 02:08:38,080 --> 02:08:42,720 # Not remotely cinematic 1925 02:08:42,720 --> 02:08:44,920 # Happy endings 1926 02:08:44,920 --> 02:08:49,720 # Far as I can see 1927 02:08:49,720 --> 02:08:55,560 # Are only for the stars 1928 02:08:56,760 --> 02:09:01,800 # Not in the stars 1929 02:09:01,800 --> 02:09:06,920 # For me... # 1930 02:09:06,920 --> 02:09:08,120 Psst! 1931 02:09:08,120 --> 02:09:10,160 Psst! 1932 02:09:10,160 --> 02:09:13,160 # Pardon me, Miss, I've a problem 1933 02:09:13,160 --> 02:09:15,960 # And I wonder, would you help me? 1934 02:09:15,960 --> 02:09:19,800 # Lost my glove and I could use your light... # 1935 02:09:20,760 --> 02:09:22,280 Right. 1936 02:09:22,280 --> 02:09:23,960 # I was leaving 1937 02:09:23,960 --> 02:09:25,480 # It's so silly 1938 02:09:25,480 --> 02:09:28,240 # But I guess I must have dropped it 1939 02:09:28,240 --> 02:09:32,720 # All at once, it seemed to disappear... # 1940 02:09:32,720 --> 02:09:33,920 Here. 1941 02:09:36,320 --> 02:09:40,640 # Gee, I'm grateful, and I'd like to show you my appreciation 1942 02:09:40,640 --> 02:09:43,120 # Maybe take you out to dinner... # Sh! 1943 02:09:43,120 --> 02:09:44,280 # When do you get off? 1944 02:09:44,280 --> 02:09:46,400 # I can wait... # Oh, no, I couldn't possibly. 1945 02:09:46,400 --> 02:09:48,280 # I can wait... # Well, I don't do that. 1946 02:09:48,280 --> 02:09:50,320 # I can wait... # Sh! No, I, uh... 1947 02:09:50,320 --> 02:09:51,960 # I can wait... # 1948 02:09:51,960 --> 02:09:53,160 Eight. 1949 02:09:59,240 --> 02:10:01,440 # Hey, Peggy, you gonna sing tonight? 1950 02:10:07,760 --> 02:10:10,160 # Hey, Peggy, you gonna sing tonight? # 1951 02:10:10,160 --> 02:10:13,160 You sing here? Sometimes, after work. 1952 02:10:13,160 --> 02:10:16,040 Relieves the stress. Oh, you got stress? Yes, I guess. 1953 02:10:16,040 --> 02:10:18,280 # Hey, Peggy, you gonna sing tonight? 1954 02:10:19,440 --> 02:10:24,280 # When Mr Right comes along 1955 02:10:24,280 --> 02:10:29,920 # Every melody that sounded so wrong 1956 02:10:29,920 --> 02:10:35,840 # Will be blended in a beautiful song 1957 02:10:35,840 --> 02:10:42,640 # When Mr Right... # 1958 02:10:42,640 --> 02:10:44,960 ALL: Ah, she's wonderful! 1959 02:10:44,960 --> 02:10:51,720 # ..Comes along! # 1960 02:10:51,720 --> 02:10:54,800 CHEERING AND APPLAUSE 1961 02:10:58,520 --> 02:11:00,880 # You're terrific, just amazing 1962 02:11:00,880 --> 02:11:03,000 # What a talent! It's astounding! 1963 02:11:03,000 --> 02:11:05,800 # You should be starred in a Broadway show... # 1964 02:11:05,800 --> 02:11:09,320 Yes, I know. But I got tired. Tired of waiting. 1965 02:11:09,320 --> 02:11:13,440 Tired of hacking those auditions. Tired of starving. So I figured... 1966 02:11:13,440 --> 02:11:15,200 # What's the use? 1967 02:11:15,200 --> 02:11:17,360 # By the way 1968 02:11:17,360 --> 02:11:19,480 # What do you do? 1969 02:11:19,480 --> 02:11:21,160 # You won't believe it... # 1970 02:11:21,160 --> 02:11:23,280 Try me. # I produce! # 1971 02:11:40,800 --> 02:11:44,560 # I am feeling 1972 02:11:44,560 --> 02:11:48,640 # Aces high. And it's because of you that I 1973 02:11:48,640 --> 02:11:53,080 # Am feeling aces high Aces high 1974 02:11:53,080 --> 02:11:56,360 # We're a king and a queen in the heavens 1975 02:11:56,360 --> 02:11:59,600 # No longer at sixes and sevens No! 1976 02:11:59,600 --> 02:12:02,440 # But eights! Now that she's found out 1977 02:12:02,440 --> 02:12:04,640 # She's finally his 1978 02:12:04,640 --> 02:12:09,520 # Say! She's the happiest, happiest lady there is 1979 02:12:18,480 --> 02:12:23,400 # Aces high! 1980 02:12:23,400 --> 02:12:26,240 # Oh, aces high! 1981 02:12:35,240 --> 02:12:37,400 # Now it's happened Now you've made it 1982 02:12:37,400 --> 02:12:40,520 # By tomorrow, you'll be famous... # 1983 02:12:40,520 --> 02:12:41,880 Famous! 1984 02:12:41,880 --> 02:12:45,200 # You'll discover all New York is at your feet... # 1985 02:12:45,200 --> 02:12:46,880 My feet! 1986 02:12:46,880 --> 02:12:51,200 # You'll have a brilliant career 1987 02:12:51,200 --> 02:12:55,560 # Think champagne, instead of pretzels and beer 1988 02:12:55,560 --> 02:12:57,080 # And you'll be with me 1989 02:12:57,080 --> 02:13:00,520 # Everywhere I appear... # No. 1990 02:13:01,560 --> 02:13:05,800 No? No, I've done everything for you I could possibly do. 1991 02:13:05,800 --> 02:13:07,800 You don't need me any more. 1992 02:13:07,800 --> 02:13:11,320 And if I stayed, why, I'd be Mr Peggy Smith, 1993 02:13:11,320 --> 02:13:14,480 I fear, I couldn't bear that. 1994 02:13:14,480 --> 02:13:17,920 But... # Goodbye 1995 02:13:17,920 --> 02:13:24,440 # My dear! # 1996 02:13:26,920 --> 02:13:28,680 Donald! 1997 02:13:28,680 --> 02:13:30,440 Donald! 1998 02:13:31,880 --> 02:13:33,480 Donald! 1999 02:13:56,920 --> 02:14:00,200 Our Guest of Honour tonight 2000 02:14:00,200 --> 02:14:02,800 is Broadway's dearest 2001 02:14:02,800 --> 02:14:05,280 and most luminous light. 2002 02:14:05,280 --> 02:14:07,000 In her own time, 2003 02:14:07,000 --> 02:14:09,480 a legend, a myth. 2004 02:14:09,480 --> 02:14:14,040 Ladies and gentlemen, Miss Peggy Smith! 2005 02:14:14,040 --> 02:14:16,960 CLAPPING 2006 02:14:23,440 --> 02:14:26,280 What a night! I won't forget. 2007 02:14:26,280 --> 02:14:29,000 I'm just a former usherette. 2008 02:14:29,000 --> 02:14:33,600 And who'd have dreamed that someday, this would all come true? 2009 02:14:33,600 --> 02:14:35,480 Would you? 2010 02:14:35,480 --> 02:14:38,320 But there's a man, 2011 02:14:38,320 --> 02:14:42,360 one certain man, who helped me when it all began, 2012 02:14:42,360 --> 02:14:46,680 and he's the one you really owe this honour to, 2013 02:14:46,680 --> 02:14:49,320 but he's not here. 2014 02:14:49,320 --> 02:14:53,480 # Peggy! # I wish he were. 2015 02:14:53,480 --> 02:14:56,360 # Peggy! # 2016 02:14:56,360 --> 02:14:59,160 I can't believe it! # Peggy! 2017 02:14:59,160 --> 02:15:00,720 # Peggy! 2018 02:15:00,720 --> 02:15:07,200 # Peggy! 2019 02:15:16,040 --> 02:15:22,160 # Now my life is like a beautiful song 2020 02:15:22,160 --> 02:15:28,680 # My Mr Right 2021 02:15:48,320 --> 02:15:52,680 # Are only for the stars 2022 02:15:52,680 --> 02:15:55,880 # Mm, mm, mm 2023 02:15:55,880 --> 02:16:00,120 # Not in the stars 2024 02:16:00,120 --> 02:16:04,400 # For me... # 2025 02:16:04,400 --> 02:16:05,960 Psst! 2026 02:16:05,960 --> 02:16:07,960 Psst! 2027 02:16:07,960 --> 02:16:10,960 # Pardon me, Miss, I've a problem 2028 02:16:10,960 --> 02:16:13,680 # And I wonder, would you help me? 2029 02:16:13,680 --> 02:16:18,880 # Lost my glove and I could use your light... # 2030 02:16:18,880 --> 02:16:20,880 Right. 2031 02:16:20,880 --> 02:16:23,280 Uh, yeah. 2032 02:16:23,280 --> 02:16:27,000 I guess you're a big Broadway producer, huh? 2033 02:16:27,000 --> 02:16:29,480 As a matter of fact, I am. How did you know that? 2034 02:16:31,000 --> 02:16:32,320 Agh! Sh! 2035 02:16:32,320 --> 02:16:34,120 Girls! 2036 02:16:34,120 --> 02:16:35,760 Girls! 2037 02:16:35,760 --> 02:16:37,160 Girls! 2038 02:16:50,040 --> 02:16:51,840 # Happy endings 2039 02:16:51,840 --> 02:16:53,600 # All around me 2040 02:16:53,600 --> 02:16:55,440 # Happy endings 2041 02:16:55,440 --> 02:16:57,280 # All I see are 2042 02:16:57,280 --> 02:17:00,960 # Happy endings on a silver screen 2043 02:17:00,960 --> 02:17:03,400 # Hooray for love, hooray for love! Shout! Hooray! 2044 02:17:03,400 --> 02:17:06,240 # Hoo ya! Lovely lady 2045 02:17:06,240 --> 02:17:08,160 # Ooh! Gallant fellow 2046 02:17:08,160 --> 02:17:11,640 # Meet one evening Hear that cello 2047 02:17:11,640 --> 02:17:14,800 # Troubles come between 2048 02:17:14,800 --> 02:17:17,720 # But in that final scene 2049 02:17:17,720 --> 02:17:19,000 # Count on a 2050 02:17:19,000 --> 02:17:22,480 # Happy ending by a river 2051 02:17:22,480 --> 02:17:26,120 # Happy ending on a mountain 2052 02:17:26,120 --> 02:17:28,000 # Happy ending 2053 02:17:28,000 --> 02:17:34,120 # In a Broadway show 2054 02:17:34,120 --> 02:17:39,920 # Oh 2055 02:17:39,920 --> 02:17:47,080 # Ah, ah, ah, ah, ah 2056 02:17:47,080 --> 02:17:50,640 # Ah, ah, ah, ah, ah 2057 02:17:50,640 --> 02:17:54,000 # Happy endings 2058 02:17:54,000 --> 02:17:59,160 # Far as I can see Ah, ah, ah, ah, ah 2059 02:17:59,160 --> 02:18:03,920 # Are not reserved for stars 2060 02:18:03,920 --> 02:18:06,320 # No, no, no, no, no 2061 02:18:06,320 --> 02:18:12,600 # They're in the stars 2062 02:18:12,600 --> 02:18:14,440 # For 2063 02:18:14,440 --> 02:18:22,080 # Me! Ah, ah, ah, ah, ah, ah ah! 2064 02:18:23,040 --> 02:18:26,920 # Happy endings All around me 2065 02:18:26,920 --> 02:18:29,800 # Happy endings All I see are 2066 02:18:29,800 --> 02:18:32,720 # Happy endings... # 2067 02:18:29,800 --> 02:18:32,720 APPLAUSE 2068 02:18:42,880 --> 02:18:45,680 It's standing room only when screen star Francine Evans 2069 02:18:45,680 --> 02:18:48,800 returns to the city where her spectacular career began. 2070 02:18:48,800 --> 02:18:52,920 After a six-year absence, the fabulous Francie is finally home, 2071 02:18:52,920 --> 02:18:55,120 and New York goes round and round. 2072 02:19:05,560 --> 02:19:07,520 Good morning, New York. 2073 02:19:07,520 --> 02:19:10,120 12, midnight, in time for the Midnight Bird to be with you 2074 02:19:10,120 --> 02:19:13,240 from now until 5am. 2075 02:19:13,240 --> 02:19:15,840 For those of you who are wondering about my new theme song, 2076 02:19:15,840 --> 02:19:18,640 and I think you are, because a lot of people have been calling in 2077 02:19:18,640 --> 02:19:21,640 night after night, asking, "What is that record?" 2078 02:19:21,640 --> 02:19:25,880 Well, it's by Jimmy Doyle. It's the theme from New York, New York, 2079 02:19:25,880 --> 02:19:29,120 the Jimmy Doyle Sextet. I'll play it as my theme song from now, 2080 02:19:29,120 --> 02:19:30,920 and who knows till when? 2081 02:19:30,920 --> 02:19:34,040 That's the Jimmy Doyle Sextet a little bit later on in the show, 2082 02:19:34,040 --> 02:19:36,440 the entire theme from New York, New York. 2083 02:19:36,440 --> 02:19:40,200 JAZZ MUSIC PLAYS 2084 02:20:22,520 --> 02:20:25,200 APPLAUSE AND WHISTLING 2085 02:20:25,200 --> 02:20:27,440 Thank you, ladies and gentlemen. Thank you. 2086 02:20:32,080 --> 02:20:34,600 Thank you, ladies and gentlemen. Thank you, thank you. 2087 02:20:34,600 --> 02:20:36,880 And now I'm proud to introduce an old buddy of mine. 2088 02:20:36,880 --> 02:20:38,360 We go back a long, long time - 2089 02:20:38,360 --> 02:20:40,800 so long that I'm a little embarrassed to tell you - 2090 02:20:40,800 --> 02:20:43,520 and he's here with us tonight. Mr Cecil Powell. 2091 02:20:43,520 --> 02:20:45,880 A big hand, folks. A big hand. 2092 02:20:45,880 --> 02:20:47,680 APPLAUSE AND WHISTLING 2093 02:21:24,840 --> 02:21:27,160 How are you two lovely ladies doing? You were great. 2094 02:21:27,160 --> 02:21:29,160 Oh, thank you very much. We loved it. 2095 02:21:29,160 --> 02:21:32,120 Just for that, I'll get you a drink. Thank you. Thank you. 2096 02:21:32,120 --> 02:21:34,880 I'll get a ginger ale. Anything they want. 2097 02:21:36,400 --> 02:21:38,320 Want to OK that guy's credit? 2098 02:21:40,000 --> 02:21:41,640 The one sat at the bar. No, forget it, man. 2099 02:21:41,640 --> 02:21:44,880 I might as well use that for wallpaper. OK. 2100 02:21:50,920 --> 02:21:52,120 Can you excuse me for one second? 2101 02:21:52,120 --> 02:21:53,840 Just one minute. Sure. I'll be right there. 2102 02:21:57,920 --> 02:21:59,560 Yeah, hello, honey. Listen, 2103 02:21:59,560 --> 02:22:02,040 I want you to make a reservation for me for tomorrow night. 2104 02:22:02,040 --> 02:22:04,080 Starlight Terrace, Francine Evans. 2105 02:22:05,200 --> 02:22:08,560 No, Starlight Terrace. Francine Evans. 2106 02:22:08,560 --> 02:22:09,760 No, not two, one. 2107 02:22:09,760 --> 02:22:12,440 # ..Somebody loses 2108 02:22:12,440 --> 02:22:15,480 # And somebody wins 2109 02:22:15,480 --> 02:22:18,160 # And one day, it's kicks 2110 02:22:18,160 --> 02:22:21,160 # Then it's kicks in the shins 2111 02:22:21,160 --> 02:22:24,000 # But the planet spins 2112 02:22:24,000 --> 02:22:27,000 # And the world goes round 2113 02:22:27,000 --> 02:22:29,560 # And round and round 2114 02:22:29,560 --> 02:22:32,600 # And round and round 2115 02:22:32,600 --> 02:22:35,320 # The world goes round 2116 02:22:35,320 --> 02:22:39,480 # And round and round 2117 02:22:39,480 --> 02:22:47,000 # And round... # 2118 02:22:47,000 --> 02:22:50,720 CHEERING AND APPLAUSE 2119 02:22:47,000 --> 02:22:50,720 Oh! 2120 02:22:55,080 --> 02:22:56,880 Thank you. Thank you. 2121 02:23:21,240 --> 02:23:23,400 Oh, you're so wonderful! 2122 02:23:23,400 --> 02:23:25,360 Thank you so much. 2123 02:23:25,360 --> 02:23:27,680 Thank you for coming here. 2124 02:23:27,680 --> 02:23:29,680 I'd like to sing a song now. 2125 02:23:29,680 --> 02:23:32,080 It was written by a friend of mine... 2126 02:23:33,480 --> 02:23:36,480 ..who is a great believer in major chords. 2127 02:23:42,640 --> 02:23:46,240 APPLAUSE 2128 02:23:55,920 --> 02:24:00,320 # Start spreadin' the news 2129 02:24:00,320 --> 02:24:04,560 # I'm leavin' today 2130 02:24:04,560 --> 02:24:09,040 # I want to be a part of it 2131 02:24:09,040 --> 02:24:12,960 # New York, New York 2132 02:24:12,960 --> 02:24:16,720 # These vagabond shoes 2133 02:24:16,720 --> 02:24:21,320 # Are longing to stray 2134 02:24:21,320 --> 02:24:25,480 # And step around the heart of it 2135 02:24:25,480 --> 02:24:29,400 # New York, New York 2136 02:24:29,400 --> 02:24:33,960 # I want to wake up in a city 2137 02:24:33,960 --> 02:24:38,040 # That doesn't sleep 2138 02:24:38,040 --> 02:24:41,440 # To find I'm king of the hill 2139 02:24:41,440 --> 02:24:46,560 # Top, top of the heap 2140 02:24:46,560 --> 02:24:50,720 # My little-town blues 2141 02:24:50,720 --> 02:24:54,760 # Are melting away 2142 02:24:54,760 --> 02:24:59,200 # I'll make a brand-new start of it 2143 02:24:59,200 --> 02:25:03,320 # In old New York 2144 02:25:03,320 --> 02:25:07,640 # If I can make it there 2145 02:25:07,640 --> 02:25:11,920 # I'd make it anywhere 2146 02:25:11,920 --> 02:25:14,560 # It's up to you 2147 02:25:14,560 --> 02:25:20,400 # New York, New York 2148 02:25:28,760 --> 02:25:32,960 # New York, New York 2149 02:25:32,960 --> 02:25:35,840 # I want to wake up 2150 02:25:35,840 --> 02:25:41,200 # In a city that doesn't sleep 2151 02:25:41,200 --> 02:25:44,840 # To find I'm king of the hill 2152 02:25:44,840 --> 02:25:46,880 # Head of the list 2153 02:25:46,880 --> 02:25:52,160 # Cream of the crop at the top of the heap 2154 02:25:52,160 --> 02:25:55,680 # My 2155 02:25:55,680 --> 02:26:01,360 # Little-town blues 2156 02:26:01,360 --> 02:26:06,120 # Are melting away 2157 02:26:06,120 --> 02:26:10,880 # I'll make a brand-new start of it 2158 02:26:10,880 --> 02:26:15,280 # In old New York 2159 02:26:15,280 --> 02:26:19,520 # If I can make it there 2160 02:26:19,520 --> 02:26:24,400 # I'd make it anywhere 2161 02:26:24,400 --> 02:26:26,120 # Come on 2162 02:26:26,120 --> 02:26:28,400 # Come through 2163 02:26:28,400 --> 02:26:31,480 # New York 2164 02:26:31,480 --> 02:26:34,080 # New 2165 02:26:34,080 --> 02:26:41,360 # York... # 2166 02:26:41,360 --> 02:26:45,520 CHEERING AND APPLAUSE 2167 02:27:16,280 --> 02:27:19,000 INDISTINCT CHATTER 2168 02:27:19,000 --> 02:27:23,360 I've also made an appointment for Jimmy for the inoculation, 2169 02:27:23,360 --> 02:27:24,680 and Fuller is out... 2170 02:27:26,200 --> 02:27:28,600 ..Fuller is outside. 2171 02:27:28,600 --> 02:27:30,160 OK? 2172 02:27:30,160 --> 02:27:31,880 Jimmy! 2173 02:27:31,880 --> 02:27:33,840 You got here! 2174 02:27:35,680 --> 02:27:38,160 You're looking very good. Thank you. Yeah. 2175 02:27:39,560 --> 02:27:41,600 Tina? Uh... 2176 02:27:41,600 --> 02:27:44,040 What did I do? I was going to kiss you. Oh, well. 2177 02:27:44,040 --> 02:27:47,400 This is Deanne and this is Tina. Nice to meet you. Nice to meet you. 2178 02:27:47,400 --> 02:27:49,680 Wait, come on. 2179 02:27:55,040 --> 02:27:56,400 Well, I... 2180 02:27:57,480 --> 02:28:00,520 ..guess you're having a little party here or something like that, huh? 2181 02:28:00,520 --> 02:28:04,120 I didn't count on it. This is supposed to be my private room. 2182 02:28:09,560 --> 02:28:11,920 Uh... Uh... The tune. The tune? 2183 02:28:11,920 --> 02:28:14,400 Yeah, it works well. It works. Yeah, it does. It works. 2184 02:28:15,920 --> 02:28:18,160 It's another way of doing it, but it works well. Yeah. 2185 02:28:18,160 --> 02:28:23,400 I know you did it like "Da, da, da-da-la, da-da", but that works. 2186 02:28:23,400 --> 02:28:25,720 I saw Soppy Endings the other night. 2187 02:28:27,680 --> 02:28:30,280 Happy Endings? Yeah. Happy Endings. 2188 02:28:32,200 --> 02:28:34,680 You like it? Yeah, I loved it. Yeah, well, you seen one, 2189 02:28:34,680 --> 02:28:37,920 you seen them all, huh? Yeah, yeah. Pretty good. 2190 02:28:37,920 --> 02:28:40,400 Success hasn't changed you at all, huh? Uh-uh. 2191 02:28:43,440 --> 02:28:45,120 No, I'm only kidding. You know... 2192 02:28:46,360 --> 02:28:47,720 ..I'm serious, you know? 2193 02:28:50,320 --> 02:28:52,320 I'm very proud of you, in a way. 2194 02:28:52,320 --> 02:28:54,440 In a way, I'm proud of you. 2195 02:29:00,760 --> 02:29:02,080 Well, I'm going to go. 2196 02:29:02,080 --> 02:29:05,240 Are you going to say goodbye... to the kid on the way out? 2197 02:29:06,320 --> 02:29:08,120 Did he get the drums that I sent him? 2198 02:29:08,120 --> 02:29:10,240 Oh, did he get the drums! They drive me crazy. 2199 02:29:10,240 --> 02:29:12,280 Oh, they do? Uh-huh. That means he plays them well. 2200 02:29:12,280 --> 02:29:14,040 He plays them real good. He's got a lot of talent. 2201 02:29:14,040 --> 02:29:16,880 Well, he ought to, he gets it from his father. He gets it... 2202 02:29:16,880 --> 02:29:18,280 You weren't going to say mother? 2203 02:29:18,280 --> 02:29:19,400 Oh, I was. 2204 02:29:21,240 --> 02:29:23,520 Francine. I just didn't make it in time. Francine. 2205 02:29:23,520 --> 02:29:25,040 SHE LAUGHS 2206 02:29:23,520 --> 02:29:25,040 We're going to start 2207 02:29:25,040 --> 02:29:26,680 rolling here now! 2208 02:29:25,040 --> 02:29:26,680 HE CHUCKLES 2209 02:29:44,480 --> 02:29:45,800 Well, I guess I'd better go. 2210 02:29:45,800 --> 02:29:47,280 So long. 2211 02:29:52,560 --> 02:29:53,840 Which way do I get out of here? 2212 02:29:53,840 --> 02:29:55,080 Right... Right through there. 2213 02:29:55,080 --> 02:29:56,880 I'll see you. 2214 02:29:56,880 --> 02:29:59,760 Are you ready to go, darling? We've got the table. 2215 02:29:59,760 --> 02:30:02,440 Francine... 2216 02:30:07,720 --> 02:30:09,760 Hey, how are you doing? How are you? 2217 02:30:09,760 --> 02:30:11,640 Aren't you going to give your father a kiss? 2218 02:30:16,520 --> 02:30:19,400 Who bought you these clothes, anyway? Mom. 2219 02:30:20,480 --> 02:30:22,320 They look terrible. 2220 02:30:22,320 --> 02:30:25,000 I'm only wearing them because it's a big party. 2221 02:30:32,560 --> 02:30:34,480 Who do you think you look like, me or your mother? 2222 02:30:35,560 --> 02:30:39,560 You. Me? I try to not look like girls. Yeah. 2223 02:30:45,600 --> 02:30:47,120 Goodbye. 2224 02:30:47,120 --> 02:30:49,520 Take care of yourself. I will. OK? 2225 02:30:49,520 --> 02:30:51,160 OK. Bye. 2226 02:31:10,000 --> 02:31:11,280 What? 2227 02:31:13,440 --> 02:31:16,000 Hello? Hello, it's me. Look, I don't want to beat around the bush. 2228 02:31:16,000 --> 02:31:18,240 I'll go straight to the point. You want to have Chinese food with me? 2229 02:31:18,240 --> 02:31:20,400 I couldn't talk with those people there, and I want to talk to you 2230 02:31:20,400 --> 02:31:22,960 about something. What? 2231 02:31:20,400 --> 02:31:22,960 SHE CHUCKLES 2232 02:31:22,960 --> 02:31:26,360 Right now? No, tomorrow! Now, yeah. I'm waiting by the stage door. 2233 02:31:26,360 --> 02:31:29,120 If you think it's a good idea, tell me yes. Yeah. 2234 02:31:29,120 --> 02:31:31,520 Yeah? Yeah. OK, I'm there. 2235 02:33:04,760 --> 02:33:11,200 MUSIC: New York, New York